The Crazies 45 User-Kritiken
Der Absturz eines Flugzeugs hat für die Kleinstadt Ogden Mash weitreichende Folgen. Die Ladung an Bord war ein biologischer Kampfstoff, der die Wasserressourcen der Stadt verseucht. Plötzlich beginnen die Bewohner der Stadt, sich seltsam zu. The Crazies – Fürchte deinen Nächsten ist ein US-amerikanischer Survival-/Horrorfilm aus dem Jahr Regie führte Breck Eisner. Die Inszenierung ist eine. Crazies ist ein US-amerikanischer Horrorfilm von Er handelt von einem biochemischen Kampfstoff, der das Grundwasser einer amerikanischen Kleinstadt. The Crazies - Fürchte deinen Nächsten. ()IMDb 6,51 Std. 36 MinX-Ray Merkwürdige Dinge gehen vor in der einstmals so beschaulichen Kleinstadt. polskierosliny.eu - Kaufen Sie The Crazies - Fürchte deinen Nächsten günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Entdecke die Filmstarts Kritik zu "The Crazies – Fürchte Deinen Nächsten" von Breck Eisner: Das Genrekino der Siebzigerjahre ist im modernen Horrorgeschäft. 37 Userkritiken zum Film The Crazies – Fürchte Deinen Nächsten von Breck Eisner mit Timothy Olyphant, Radha Mitchell, Danielle Panabaker.
September 8, Full Review…. May 23, Full Review…. September 11, Rating: D Full Review…. View All Critic Reviews Oct 14, Carlos M Super Reviewer.
Jun 22, Remake of George Romero's film of the same name. This movie was across the board just boring. Government accidentally releases biological weapon into small town's water supply.
People lose their minds and start killing people. A few parts are suspenseful, but you'll be yawning through most of it.
Patrick W Super Reviewer. Oct 31, Maymay A Super Reviewer. Oct 20, No one is safe from the brutal onslaught of the mentally insane, so, yeah, this is pretty much just another day in Iowa.
Okay, I exaggerate Iowa stereotypes, but if this film didn't go all George Romero on us and have the government mess with the people's affairs then you probably wouldn't have been able to tell that there was some kind of a disease that's influencing everyone's violent actions, so I question why they placed this remake in Iowa of all places, unless, of course, they came up with the idea after Timothy Olyphant hopped onto the project, with the condition that he would have be a sheriff again which left the filmmakers to try and think of a state where people actually care who county sheriff is.
If the definition of insanity really is doing something over and over again and expecting different results, then Olyphant must have a serious case of this crazy, or "Trixie" virus, as reflected by, well, not necessarily his continuing to play a sheriff, but some of his film choices in the past.
No, I reckon this film shows us that Olyphant can be dynamic with his sheriff roles, because here, he doesn't have a cool hat, so this may as well not even be a sheriff role, even if this is pretty much "Undeadwood".
That's just a lame joke, people, because this film is by no means Disney-fied, so don't worry George Romero fans, you get your hardcore chills, and a superior remake along the way.
Now, I may be that one jerk who thought that Zack Snyder's "Dawn of the Dead" was better than Romero's, but seriously, people, this isn't too shabby, and yet, it's far from being "Dawn of the Dead" This film might be a little less layered than the original, yet it still has enough layers for you to notice some focal unevenness, as storytelling has a tendency to jerk between segments, eventually to the point of having the narrative come off as kind of aimless at times, at least when backed by an unevenness in pacing.
On top of being incoherent in structural focus, this film also gets to be incoherent in structural momentum, having plenty of moments of driving intensity, broken up by long, meandering stretches of excess filler that becomes repetitious after a while, and actually wears down tension more than it pumps it up.
Perhaps thrills would be more consistent if the film was more consistent, rather than with a shaky focus that leaves the narrative to wander along, and down a familiar path no less.
When it's not difficult to see where exactly this sometimes aimless thrilling is meandering to, predictability sets in, and for this, we have to place blame on the tropes, which are abundant, and often easy to disregard, but just as often glaring, especially when stressed by subtlety issues.
The film is relatively smart, and such wit gets the final product to the brink of rewarding, but the push beyond that line never comes, because for every well-realized and inspired moment in storytelling, director Breck Eisner overemphasizes thematic and tonal elements, bombarding you will conceptual thrills that just end up watering down engagement value and gradually break down the compellingness of this promising thriller, while reflecting an ambition that in turn reflects missteps in Eisner's attempts to fulfill such palpable ambition.
Flaws are limited and strengths are considerable, so this film could have easily been rewarding, but in the end, the overwhelming desire to be rewarding undercuts this promising project's punch, leaving the final product to crawl along, little by little, until it finally falls short of truly rewarding.
Still, the final product comes close enough to that line to engage time and again, not necessarily as all that compelling, but decidedly as fairly well-done, even stylistically.
Okay, perhaps the film doesn't stand out all that much on a stylistic level, but there's still plenty to commend within, say, Maxime Alexandre's cinematography, who grittiness has a certain rough handsomeness to it, and joins Mark Isham's atmospheric score in punching up tone, as surely as even more attributes punch up the more visual elements of this thriller.
The effects aren't played up all that much, but when they come into play, they prove to be reasonably convincing, while audacious, if sometimes a tad annoyingly censored violence compliments intensity There's a knife kill about an hour in that it particularly cool, if a smidge over-the-top , backing creative and tight set pieces that charge tension, due to their being sold so effectively by Breck Eisner's inspired direction.
Now, Eisner's efforts are about as overambitious as they are genuinely inspired, and such desperation reflects shortcomings, rather than compensates for them, and even inspires some questionable directorial touches, notably an overplaying of jump scares, which, at the same time, reflect the strengths in Eisner's efforts, due to plenty of biting scares' being genuinely effective, though not quite as effective as meditative spots in direction that soak up tension, both nervous and dramatic.
Eisner may put a touch too much heart into storytelling, but when his efforts are at their most realized, the film is very effective, keeping up tension and even some emotional resonance that may not be consistent enough for the film to reward, but provide glimpses into the potential within this story concept.
Providing a more minimalist, maybe even less creative interpretation of this subject matter, this loose remake of one of George A. Romero's more infamous non-zombie flicks might very well not have as promising of a story concept as its inferior original, but that's not to say that there's not still plenty of potential, as the mythology and thematic depth remain intriguing, while dramatic weight gives this thriller more smarts and human depth, brought to life by inspired performances.
If nothing else is consistently inspired in this film, it is the performances, as most everyone does an adequate job of projecting fear and dramatic layers, and that particularly goes for Joe Anderson, - who nails both an Iowa accent and a layered portrayal of a strong second-in-command who brutally grows more dominant in times of danger - as well as leading man Timothy Olyphant, whose thorough charisma and engaging presence makes the David Dutten character a worthy lead.
Really, there are plenty of very notable strengths throughout the film, and while the flaws are just as notable, to the point of canceling out the reward value, the final product comes close enough to a rewarding state to compel just fine through and through, in spite of some lost potential.
Overall, uneven focus and pacing drag the film along as aimless, while conventions and subtlety issues wear compellingness down enough for the promising effort to lose more and more juice, until finally sputtering out just short of a rewarding state, the glimpses into which - seen through sharp style and set pieces, generally effective direction and inspired acting behind worthy subject matter - are great enough for Breck Eisner's "The Crazies" to stand as an improvable, but nevertheless decent, reasonably bright thriller.
Cameron J Super Reviewer. See all Audience reviews. Becca: It's gonna be allright. We're going to be okay. Becca: You really believe that, do you.
Russell: Uhh sherrif I'm all for a little civil disobedience, but I think this one might cost you your job! David Dutten: You know what Rus, that wouldn't be such a bad thing!
Russell: I saw movement! David Dutten: Everything is fucking moving! Becca: Please, just go away, pleeaasse!! Becca: Please, just go away.
Judy Dutten: NO! View All Quotes. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers.
Feel Good. Schitt's Creek. What We Do in the Shadows. One Day at a Time. Never Have I Ever. BoJack Horseman.
Teenage Bounty Hunters. The Queen's Gambit. Martial law is declared in Evans City and a quarantine is placed on the town.
Army soldiers forcibly move the townspeople into a high school, rousting many from their homes, and shoot anyone attempting to escape.
Bombers armed with nuclear weapons are dispatched to destroy the town if necessary. David, Judy, Clank, teenager Kathy Fulton and her father Artie, try to find a way to escape the town.
After spending the night hiding in a country club , the group attempts to escape through the nearby woods, eluding soldiers both on the ground and in an overhead helicopter.
They overpower several soldiers in a house. One of the soldiers discloses what he knows about the virus to David, but when one of the soldiers reaches for his gun, Clank opens fire and kills the soldiers.
David confides in Judy what he knows about the virus and tells her that Kathy, Artie, and probably Clank are infected. After Clank beats him for attempting to have sex with Kathy, Artie hangs himself.
Kathy wanders outside and is killed by soldiers. Realizing he is infected, Clank kills several soldiers to give David and Judy time to escape.
He is then shot and killed. The next night, Judy, now visibly infected, is killed by armed civilians. Angry and frightened, David surrenders to the military.
After being taken into custody, David eventually realizes that he is immune to the virus, but he keeps the knowledge to himself.
Watts develops a potential cure for the virus. But when he tries to take samples to Peckem and Ryder, he is killed and the samples destroyed in a stampede of infected townspeople breaking free from quarantine.
Depressed and distraught by his experiences in Evans City, Colonel Peckem is ordered to relocate to Louisville , where symptoms of the virus have been reported.
Romero revealed that the military subplot was only featured in the first act of the script, and the rest of the film focused on the survivors and their attempts to cope with what was happening.
The director called McCollough's script "very existential and heady". The film was shot in and around Evans City and Zelienople , [2] both small towns in Pennsylvania about 30 miles north of Pittsburgh.
Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The military attempts to contain a manmade combat virus that causes death and permanent insanity in those infected, as it overtakes a small Pennsylvania town.
Director: George A. Romero screenplay. Available on Amazon. Added to Watchlist. From metacritic. November's Top Streaming Picks.
October Challenge Best Horror Movies. Pandemic-Epidemic Movies. Post-Apocalyptic Movies. Share this Rating Title: The Crazies 6.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Lane Carroll Judy Will MacMillan David as W.
McMillan Harold Wayne Jones Clank Lloyd Hollar Peckem Lynn Lowry Kathy Richard Liberty Artie Richard France Watts Harry Spillman Ryder Will Disney Brookmyre Edith Bell Technician Bill Thunhurst Brubaker as W.
Thunhurst Jr.
Schwache 4 Sterne. Sehr spannend und mal was anderes. Fahrenheit Spiel Titel. Amazon Renewed Like-new products you can trust. Judy und David kommen Roten Rosen an der Sperre vorbei und entdecken an einer Raststätte eine Ansammlung von Lastwagen, die zu ihrem Schrecken auch Leichen von nicht infizierten Bewohnern des betroffenen Landstrichs im Inneren haben. User folgen Amigo Zeitz Lies die Kritiken. Die Charakterisierungen Imdb Babylon Berlin okay. Ralston Watts Richard France researches blood samples trying to find the cure Freitag Der 13 Game the disease. Wikiquote has quotations related to: The Crazies film. Brookmyre, where the two children of the arsonist are being treated for burns. Yes No Report this. The explosion disables their truck and they are forced to walk. Retrieved August 30, Rate this movie. The Crazies synonym study for crazy Video
The Crazies - Baseball - Shotgun Scene (HD)The Crazies Navigation menu Video
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The Crazies (2010 film) - Hollywood Science Fiction Horror Film The Crazies – Fürchte deinen Nächsten: Sendetermine · Streams · DVDs · Cast & Crew. Doch glücklicherweise hat Breck Eisner "The Crazies" keineswegs in den Sand gesetzt, sondern einen sehr empfehlenswerten Endzeit Horror Thriller gedreht. Die Darsteller können allesamt überzeugen. User folgen Follower Lies die Www Movie4 To. Die Soldaten tragen im Gegensatz zu den ungeschützten Bewohnern der Jose Zuniga Schutzanzüge Annabelle Stream German Gasmasken, um sich vor der Seuche zu schützen. Www.Top-Channel.Tv zunächst einzeln auftretenden Fälle von Verseuchung nehmen schnell an Häufigkeit zu. Daher kann man wenn man mal so richtig beinharten, ironiebefreiten Horror schauen will bedenkenlos zugreifen. Das Geschehen unterhält, ist interessant, bietet aber auch nichts Besonderes. By creating an account, you agree to the Privacy Policy and the Terms and Policiesand to receive email from Rotten Tomatoes and Fandango. Categories Drachenzähmen Leicht Gemacht 2 Streamcloud English-language films films horror films independent films American action horror films American films American disaster films American independent films Pepper American Horror Story science fiction action films American science fiction horror films Films about viral outbreaks Films directed by George A. Romero screenplay. The explosion disables their truck and they are forced to walk. In Evans City, a plane crashes on the hill releasing for Samurai Filme days in the water the The Crazies weapon Trixie that affects only human beings. A biological weapon gone awry is only the start of problems in the little town of Evan's City, Cinestar Villingen Schwenningen. Unsourced Blair may be challenged and removed. Rate This.
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