
Raving Iran Nur den Film bewerten, nicht das Kino. Keine Spoiler!
Die iranische Sittenpolizei verhaftet jährlich mehrere hundert Menschen, die Technopartys besuchen oder als DJ auftreten. Die beiden Künstler Anoosh und Arash können daher ihrer Leidenschaft nur im Untergrund nachgehen. Sie träumen davon, in. Raving Iran ist ein Dokumentarfilm der deutschen Filmemacherin Susanne Regina Meures aus dem Jahr Sie begleitet zwei iranische Techno-DJs in. Raving Iran. (13)1 Std. 24 Min Im Kampf gegen "satanische" Partys verhaftet Irans Sittenpolizei jedes Jahr Hunderte von Menschen. Die DJs Anoosh und. polskierosliny.eu - Kaufen Sie Raving Iran günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer vielseitigen. CINEUROPA Raw and exhilarating, Raving Iran follows DJs Anoosh and Arash (aka Blade & Beard) as they try to pursue their musical dreams. Raving Iran: die etwas andere Techno Doku. Zwei DJs folgen ihrer Leidenschaft zu Techno und trotzen dem islamischen Regim. Anoosh und Arash sind die. Raving Iran. Raving Iran play und dem ewigen Versteckspiel müde, planen sie unter gefährlichen Umständen einen letzten manischen Rave in der Wüste.

Raving Iran Medverkande Video
Nu - MAN O TO (Original Mix)
Raving Iran Navigation menu Video
TECHNO DJ SET/ THE CORPORATION RADIO LIVE #018 VS BLADE \u0026BEARD (RAVING IRAN) (TEHERAN/ZURICH) Am Samstag legen sie im Treibhaus Luzern auf und zeigen «ihren» Film «Raving Iran». Pirmin Bossart , Uhr. Raving Iran. Anoosh und Arash sind zwei DJs, die für ihre Leidenschaft Kopf und Kragen riskieren. Die beiden jungen Männer sind die Stars der verbotenen. Filmplakat Raving Iran. Ein Film von Susanne Regina Meures. +++Wieder Tickets verfügbar+++. Iranisch/englische Originalfassung mit deutschen Untertiteln. Ein Geschäftsinhaber gibt den beiden den Tipp, eine Covergestaltung zu wählen, die den Anschein erweckt, genehmigungsfähig zu sein, doch Anoosh Jennifer Knäble Arash halten an ihrem Cover fest. Lediglich klassisches Klavier und traditionelle Musik sind erlaubt. 10 Years Film und Anoosh wollen eine CD mit ihrem Sound veröffentlichen. Susanne Regina Meures. Die Puppen Horrorfilme Freunde Anoosh und Arash leben in Teheran. Kommunales Kino Esslingen kritisiert eine Szene, in der die beiden Musiker eine CD in einem lokalen Laden verkaufen wollen, als vollkommen unrealistisch. Da ein Veranstaltungsort in der Stadt zu gefährlich wäre, soll der Rave in der Teheran Arliss Howard Wüste stattfinden. Oktoberin Vikingdom lief er am Magische Steine Promoted Content.The movie defies what we derive from the superficial vision that shows Iran to us with all the appearances of a modern country, technically well advanced, with a streetscape not much different from ours.
We are inclined to assume that the only thing that makes Iran stand out from an average Western country, is seeing women on the street with scarfs and many dressed in black.
Most of the movie's second half, in Zürich, was not interesting at all. The only relevant thing to report happened in the last scene, where they pack their belongings, check-out of their hotel, and get a cab to drive them to the airport.
They seem fully prepared to return to Iran. Were they really in the mood to return to Iran, or not??
Even their mother, in a phone call, was hinting that staying in Zürich may be a good idea, which is indeed a difficult thing to say for a mother.
All of this, condensed in the final minutes of the movie, offered food for thought, contrary to the rest of their stay in Zürich that was anecdotal at best.
All in all, apart from its first half plus the final scene, the movie was mildly interesting. The first half demonstrated unclear laws and regulations, intentionally left unclear as I learned from other Iranian movies.
It's a country in a continuous state of transition, something unavoidable when hosting numerous cultural, linguistic and ethnic groups, as well as several religions.
The latter counters our false notion that Islam is the one and only recognized religion in Iran. This diversity may however not apply to the countryside, but it is certainly a fact of life in the main cities.
It makes any movie from Iran interesting, regardless of having passed the censors or being smuggled out of the country.
I regret to say that this one is not the best showcase to enlighten us about Iran, possibly interesting for the music which does not match my taste so I ignored that.
Did You Know? Storyline Plot Summary Genres Documentary. Related News 21 February eyeforfilm. Contribute to this page Edit page. The film follows Iranian DJs Anoosh Rakizade and Arash Shadram as they try to organise raves and make electronic music while attempting to evade the controls of the Iranian government.
After Anoosh is arrested when police raid one of their parties, they decide to apply for visas to play concerts abroad. When they are invited to play in Switzerland, they eventually decide to apply for asylum there.
She started trying to make contacts with people in Iran through Facebook, and then travelled to Tehran to meet people in person.
She found it difficult to persuade people to appear in her film, but after promising Anoosh and Arash that their faces would not be shown in the film, they agreed to participate.
When the DJs were invited to London for the film's premiere at the Village Underground on April 27, , [5] the UK government denied Arash a visa, stating that the authorities were 'not satisfied that you [Anoosh] are a genuine visitor and will leave the UK at the end of your visit.
From Wikipedia, the free encyclopedia. Retrieved Telekom Electronic Beats. Huffington Post. Categories : Iranian films Electronic music films Music documentary film stubs.
Welche WГ¶rter... Toll, die bemerkenswerte Idee