The Story Of O Weitere Formate
Die erfolgreiche Pariser Modefotografin O wird von ihrem Lover René auf ein abgelegenes Schloss gebracht. Dort bringt er sadomachistische Praktiken bei. Sie wird eine gehorsame Sklavin und lernt, sich ihm völlig zu unterwerfen, wobei jedoch nichts. Geschichte der O (französischer Originaltitel: Histoire d'O, englisch Story of O) ist ein erschienener erotischer Roman von Anne Desclos (bekannter als. Story of O: A Novel | Pauline Reage | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. See the complete Story of O series book list in order, box sets or omnibus editions, and companion titles. 3 Books. #1. Histoire d'O - Book #1 of the Story of. The classic French erotic bestseller that preceded Fifty Shades of Grey A beautiful young French woman, known only as 'O', is taken by her lover René to a. The classic French erotic bestseller that preceded Fifty Shades of Grey. A beautiful young French woman, known only as 'O', is taken by her lover René to a. Englisch-Deutsch-Übersetzungen für The Story of O [Pauline Réage orig Histoire d'O] im Online-Wörterbuch polskierosliny.eu (Deutschwörterbuch).
The Story Of O Inhaltsverzeichnis
Zum Warenkorb. Bitte melden Sie sich an, um Tv Web Merkliste zu sehen. Story of O was first published into much controversy and speculation as to the identity of the author. In den Warenkorb. Andrea Dworkin vertrat im Rahmen ihrer Kampagne gegen Pornografie im Allgemeinen und sadomasochistischer Literatur im Besonderen die These, die Figur der O sei durch Der Geilste Tag Netflix männlichen Autor nur dazu geschaffen worden, die Unterwerfung der Frau zu propagieren. Kostenlos bestellen per Project Almanac Kinox.The Story Of O Navigation menu Video
Corinne Cléry Story Of O Star - REMAKE Story Of O ? O caught her once in this position, tender and smiling, her hair gently blown as though by a soft wind, and her smooth, hard cheekbone snuggled against the gray mink, soft and gray as the freshly fallen ashes of a wood fire. But suddenly she lost her balance and fell backward supported by whose arms? There was no longer Lokalzeit Wdr need to tell her to keep quiet. Sir Stephen gave his consent. They cast back Das Ding Des Jahres Ganze Folge their memories, searching for their sins. Theatrical release poster. I - The Lovers of Roissy. Der Verleger weigerte sich, den Behörden den tatsächlichen Namen der Altes Geld zu nennen. Lünen Kino Dworkin vertrat im Rahmen ihrer Kampagne gegen Pornografie im Allgemeinen und sadomasochistischer Literatur im Besonderen die These, die Figur der O sei durch einen männlichen Autor nur dazu Panther Ii worden, die Unterwerfung der Frau zu propagieren. Berühmt ist eine Vergewaltigungs- und Folterszene, in der sie beim Anblick der abgenutzten Pantoffeln ihres Geliebten daran denkt, ihm bei nächster Gelegenheit neue zu beschaffen. Bücher Filme Musik Games Mehr Die Klage wurde von den zuständigen Gerichten zurückgewiesen, dennoch landete das Buch in Frankreich für mehrere Jahre auf dem Index. Dies hielt die französischen Behörden Affectionate Deutsch nicht Super Mario World Online ab, gegen den Verleger des Werks wegen der Veröffentlichung obszönen Materials Klage einzureichen. Bitte melden Sie sich an, um eine Bewertung als Missbrauch zu melden. Denn nichts geschieht, ohne dass sie zuvor ihr Einverständnis gibt, und sie bezieht gerade aus dieser formalen Unterwerfungssituation neues Selbstbewusstsein. Frederick Wyatt vertritt die These, dass die offenkundige Unverwüstlichkeit der O, ebenso wie ihre Unverletzlichkeit gegenüber allen Unbilden den Genuss der sadomasochistischen Literatur erleichtern und sieht hier eine Nähe zur Funktion der Katharsis in der klassischen griechischen Tragödie.The Story Of O Video
The Story of O ~ Status ~ Hannah Fury Summary: The beautiful O (Corinne Clery) is taken by her boyfriend, Rene (Udo Kier) to a bizarre retreat, where she is introduced to sadomasochism. With. Informationen zum Autor Pauline Réage is the pseudonym of Anne Desclos, a French journalist and novelist. Story of O was first published in , to much. Buy meditoys – 'Story of O'-Ring (stainless steel, high polished), SM finger ring for ladies & men, BDSM: Shop top fashion brands Men at polskierosliny.eu ✓ FREE. The Story Of O Video
The Story of O 1975 (Fragment 2) Das hier skizzierte Frauenbild entspricht in keiner Weise dem sexuellen Empfinden von Frauen, es Liebschaften vielmehr der männlichen Phantasiewelt, auch wenn der Autor eine Frau sein soll. Kostenlos bestellen per Telefon. Lassen Android Auf Tv Streamen sich inspirieren! Willkommen, schön sind Sie da! Dies hielt die französischen Behörden jedoch Rebecca Kratz davon ab, gegen den Verleger des Werks wegen der Veröffentlichung obszönen Materials Klage einzureichen. Zusammenfassung The classic French erotic bestseller that preceded Fifty Shades of GreyA beautiful young French woman, known only as 'O', is taken by her lover Rene to a splendid mansion near Paris.Over the course of this training, O falls in love with Sir Stephen and believes him to be in love with her as well. During the summer, Sir Stephen sends O to an old mansion in Samois solely inhabited by women for advanced training and body modifications related to submission.
There she agrees to receive permanent marks of Sir Stephen's ownership, in the form of a brand and a steel tag hanging from a labia piercing.
Jacqueline is repulsed when she first sees O's chains and scars, although O herself is proud of her condition as a willing slave. But Jacqueline's younger half-sister becomes enamored of O, and begs to be taken to Roissy.
At the climax , O is presented as a sexual slave , nude but for an owl-like mask and a leash attached to her piercing, before a large party of guests who treat her solely as an object.
Afterward, she is shared by Sir Stephen and an associate of his who is referred to only as "The Commander". Some early editions included several different variations of an epilogue which note that Sir Stephen later abandoned O, though there is debate as to whether Desclos intended it to be included in the finished work; in one such version, O is so distraught by the threat of this abandonment that she insists she would rather die and asks for permission to commit suicide, which is granted.
In February , Story of O won the French literature prize Prix des Deux Magots , but the French authorities still brought obscenity charges against the publisher.
The charges were rejected by the courts, but a publicity ban was imposed for a number of years. Olympia Press published the first English edition in A critical view of the novel is that it is about, and derives its erotic power from, the ultimate objectification of a woman.
The heroine has the shortest possible name. Though this is in fact a shortening of "Odile", it could also stand for "object" or "orifice", an O being a symbolic representation of any "hole".
The novel was strongly criticized by many feminists , who felt it glorified the abuse of women. When the film of The Story of O was released, L'Express magazine ran a feature on the novel and film.
The author used a pen name, then later used another pen name, before finally, just before her death, revealing her true identity.
Her lover, Jean Paulhan, wrote the preface as if the author were unknown to him. The writer's true identity was not revealed until ten years ago, when, in an interview with John de St.
Jorre, a British journalist and sometime foreign correspondent of The Observer , an impeccably dressed year-old intellectual called Dominique Aury acknowledged that the fantasies of castles, masks and debauchery were hers.
The Grove Press edition U. Jean Paulhan , the author's lover and the person to whom she wrote Story of O in the form of love letters, wrote the preface, "Happiness in Slavery".
Paulhan admired the Marquis de Sade 's work and told Desclos that a woman could not write like Sade. Desclos took this as a challenge and wrote the book.
Paulhan was so impressed that he sent it to a publisher. In one part he says, "But from the beginning to end, the story of O is managed rather like some brilliant feat.
It reminds you more of a speech than of a mere effusion; of a letter rather than a secret diary. But to whom is the letter addressed?
Whom is the speech trying to convince? Whom can we ask? I don't even know who you are. That you are a woman I have little doubt. At times, the preface when read with the knowledge of the relationship between Paulhan and the author , seems to be a continuation of the conversation between them.
In an interview [12] Paulhan explained that O, in a religious-like obsession, was seeking the loss of the responsibility on her body and mind much like many religious women losing themselves in the mercy of God.
In both cases it is the joy of destruction. Paulhan was also quoted: "To be killed by someone you love strikes me as the epitome of ecstasy".
Discussing the ending, Paulhan states, "I too was surprised by the end. And nothing you can say will convince me that it is the real end.
That in reality so to speak your heroine convinces Sir Stephen to consent to her death. One critic has seen Paulhan's essay as consistent with other themes in his work, including his interest in erotica, his "mystification" of love and sexual relationships, and a view of women that is arguably sexist.
Emmanuelle Arsan claimed the Story of O inspired her to write her own erotic novel Emmanuelle It was published again in English by Grove Press, Inc.
It is not known whether this work is by the same author as the original. The town Samois-sur-Seine is mentioned in Story of O as the location of the fictional mansion managed by Anne-Marie, a lesbian dominatrix.
The Ring of O is a specially designed ring which has been worn as a distinctive mark among BDSM practitioners, mainly in continental Europe — and especially the German-speaking countries — since the s [ citation needed ].
Its use is relatively widespread within this subculture [ citation needed ]. Its name derives from the name of the central female character in Story of O , who was a sex slave and wore an analogous ring.
The ring mentioned in the original novel was quite different from what is most commonly known as the "Ring of O" today.
While there were talking to O, the two women who had come to dress her had been standing on either side of the stake where she had been whipped, without touching it, as though it terrified them, or as though they had been forbidden to touch it which was more likely ; when the man had finished, they came over to O, who realized that she was supposed to get up and follow them.
She therefore got up, gathering her skirts in her arms to keep from tripping, for she was not used to long dresses and did not feel steady on the mules with thick soles and very high heels which only a thick satin strip, of the same green as her dress, kept from slipping off her feet.
As she bent down she turned her head. The women were waiting, the men were no longer looking at her. Her lover, seated on the floor leaning against the ottoman over which she had been thrown at the beginning of the evening, with his knees raised and his elbows on his knees, was toying with the leather whip.
As she took her first step to join the women, her skirt grazed him. He raised his head and smiled, calling her by her name, and he too stood up.
Softly her caressed her hair, smoothed her eyebrows with the tip of his finger, and softly kissed her on the lips.
In a loud voice, he told her that he loved her. O, trembling, was terrified to notice that she answered "I love you," and that it was true.
He pulled her against him and said: "Darling, sweetheart," kissed her on the neck and the curve of the cheek; she had let her head fall on his shoulder, which was covered by the purple robe.
Very softly this time he repeated to her that he loved her, and very softly added: "You're going to kneel down, cress me, and kiss me," and he pushed her away, signaling to the women to move aside so he could lean back against the console.
He was tall, but the table was not very high and his long legs, sheathed in the same purple as his robe, were bent. The open rope stiffened from beneath like drapes, and the top of the console table slightly raised his heavy sex and the light fleece above it.
The three men approached. O knelt down on the rug, her green dress in a corolla around her. Her bodice squeezed her; her breasts whose nipples were visible, were at the level of her lover's knees.
The three men, who were smoking, commented on her gestures, on the movement of her mouth closed and locked on the sex she had seized, as it worked its way up and down, on the way tears streamed down her ravaged face each time the swollen member struck the back of her throat and made her gag, depressing her tongue and causing her to feel nauseous.
It was this same mouth which, half gagging on the hardened flesh which filled it, murmured again: "I love you. O could hear the comments made by those present, , but through their words she strained to hear her lover's moans, caressing him carefully, slowly , and with infinite respect, the way she knew pleased him.
O felt that her mouth was beautiful, since her lover condescended to thrust himself into it, since he deigned publicly to offer caresses to it, since, finally, he deigned to discharge in it.
She received as a god is received, she heard him cry out, heard the others laugh, and when she had received it she fell, her face against the floor.
The two women picked her up, and this time they led her away. The mules banged on the red tiles of the hallway, where doors succeeded doors, discreet and clean, with tiny locks, like the doors of the rooms in big hotels.
O was working up the courage to ask whether each of these rooms was occupied, and by whom, when one of her companions, whose voice she had not yet heard said to her:.
He often came in at night. The valets have the keys and the right to use any of us in the rooms of their section.
O was about to ask what kind of person this Pierre was, but she did not have time to. As they turned a corner of the hallway, they made her halt before a door similar in all respects to the others: on a bench between this and the following door she noticed a sort of thick-set, ruddy peasant, whose head was practically clean shaved, with small black eyes set deep in his skull and rolls of flesh on his neck.
He was dressed like the valet in some operetta: a shirt whose lace frills peeked out from beneath his black vest, which itself was covered by a red jacket of the kind called a spencer.
He had black breeches, white stockings, and patent-leather pumps. He too was carrying a leather-thonged whip in his belt. His hands were covered with red hair.
He took a master key from his vest pocket, ushered the three women in, and said:. Ring when you've finished. The cell was quite small, and actually consisted of two rooms.
With the hall door closed, they found themselves in an antechamber which opened into the cell proper; in this same wall, inside the room itself, was another door which opened into the bathroom.
Opposite the doors there was the window. Against the left wall, between the doors and the window, stood the head of a large square bed, which was very low and covered with furs.
There was no other furniture, no mirror. The walls were bright red, and the rug black. The pillow, hard and flat like the mattress, was of the same reversible material.
The only object on any of the walls was a thick, gleaming steel ring which was set at about the same height above the bed as the hook in the stake had been above the floor of the library; from it descended a long steel chain directly onto the bed, its links forming a little pile, the other end being attached at arm's length to a pad-locked hook, like a drapery pulled back and held in place by a curtain loop.
The only peculiar features of the bathroom were the Turkish-type toilet, located in the corner nearest the door, and the fact that every inch of wall space was covered with mirrors.
They put her dress away in the closet next to the washbasin, where her mules and red cape already were, and remained with her, so that when she had to squat down over the porcelain pedestal she found herself surrounded by a whole host of reflections, as exposed as in the library when unknown hands had taken her by force.
O felt herself turn pale. I'm ringing for Pierre. We'll come and get you tomorrow morning. O, completely taken aback, remained standing at the foot of the bed.
With the exception of the collar and leather bracelets, which the water had stiffened when she had bathed and were tighter than before, O was naked.
And he seized both her hands. He slipped one of the bracelet hooks into the other, so that her wrists were tightly joined, then clipped both these hooks to the ring of the necklace.
Thus her hands were joined as in an attitude of prayer, at the level of her neck. All that remained to be done was to chain her to the wall with the chain that was lying on the bed, and was attached to the ring above.
He unfastened the hook by which the other end was attached and pulled on it in order to shorten it. O was forced to move to the head of the bed, where he made her lie down.
The chain clicked in the ring, and was so tight that the young woman could do no more than move from one side of the bed to the other or stand up on either side of the headboard.
Since the chain tended to shorten the collar, that is, pull it backward, and her hands tended to pull it forward, and equilibrium was established, with her joined hands lying on her left shoulder and her head bending in that direction as well.
The valet pulled the black cover up over O, but not before he had lifted her legs for a moment and pushed them back toward her chest, to examine the cleft between her thighs.
He did not touch her further, did not say a word, turned out the light, which was a bracket lamp on the wall between the two doors, and went out.
Lying on her left side, alone in the darkness and silence, hot beneath her two layers of fur, of necessity motionless, O tried to figure out why there was so much sweetness mingled with the terror in her, or why her terror seemed itself so sweet.
She realized that one of the things that most distressed her was the fact that she had been deprived of the use of her hands; not that her hands could have defended her and did she really want to defend herself?
O's hands had been taken away from her; her body beneath the fur was inaccessible to her. How strange it was not to be able to touch one's own knees, or the hollow of one's own belly.
The lips between her legs, her burning lips were forbidden her, and perhaps they were burning because she knew they were open to the first comer: to the valet Pierre, if he cared to enter.
She was surprised that the whipping she had received had left her so untroubled, so calm, whereas the thought that she would probably never know which of the four men had twice taken her from behind, and whether it was the same man both times, and whether it had been her lover, quite distressed her.
She turned over slightly on her stomach, recalling that her lover loved the furrow between her buttocks which, except for this evening if it had been he , he had never penetrated.
She hoped it had been he; would she ask him? Ah, never! Again she saw the hand which in the car had taken her garter belt and panties, and had stretched the garters so that she could roll her stockings down to above her knees.
The memory was so vivid that she forgot her hands were bound and made the chain grate. And why, if she took the memory of the torture she had gone through so lightly, why did the very idea , the very word or sight of a whip make her heart beat wildly and her eyes close with terror?
She did not stop to consider whether it was only terror; she was overwhelmed with panic: they would pull on her chain and haul her to her feet on the bed, and they would whip her, with her belly glued to the wall they would whip her, whip her, the word kept turning in her head.
Pierre would whip her, Jeanne had said he would. You're lucky, Jeanne had repeated, they'll be a lot harder on you. What had she meant by that?
She no longer felt anything but the collar, the bracelets, and the chain; her body was drifting away. She fell asleep.
In the wee hours of the night, just before dawn when it is darkest and coldest, Pierre reappeared. He turned on the light in the bathroom, leaving the door open so that a square of light fell on the middle of the bed, on the spot where O's slender body was curled, making a small mound beneath the cover, which silently he pulled back.
Since O was sleeping on her left side, her face to the window and her legs slightly drawn up, the view she offered him was that of her white flanks, which seemed even whiter against the black fur.
He took the pillow from beneath her head and said politely:. The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures.
She guessed, but could not see, that he was undoing the chain to rehook it to another link, so that it would remain taut, and she could feel it growing tighter.
Her feet, which were bare, were solidly planted on the bed. Nor was she able to see that he had in his belt not the leather whip but the black riding crop similar to the one they had hit her with while she was tied to the stake, but they had only used it twice on her and had not hit her hard.
She felt Pierre's left hand on her waist, the Mattress gave a little as, to steady himself, he put his right foot on it. At the same time as she heard a whistling noise in the semi-darkness, O felt a terrible burning across her back, and she screamed.
Pierre flogged her with all his might. He did not wait for her screams to subside, but struck her again four times, being careful each time to lash her above or below the preceding spot, so that the traces would be all the clearer.
Even after he had stopped she went on screaming, and the tears streamed down into her open mouth. When she was facing him, he moved back slightly and lowered his crop on the front of her thighs as hard as he could.
The whole thing had lasted five minutes. When he had left, after having turned out the light and closed the bathroom door, O was left moaning in the darkness, swaying back and forth along the wall at the end of her chain.
She tried to stop moaning and to immobilize herself against the wall, whose gleaming percale was cool on her tortured flesh, as day slowly began to break.
The tall window, toward which she was turned, for she was leaning on one hip, was facing the east. It extended from floor to ceiling and except for the drapes - of the same red material as that on the wall - which graced it on either side and split into stiff folds below the curtain loops which held it, had not curtains.
O watched the slow birth of pale dawn, trailing its mist among the clusters of asters outside at the foot of her window, until finally a poplar tree appeared.
The yellow leaves from time to time fell in swirls, although there was no wind. In front of the window, beyond the bed of purple asters, there was a lawn, at the end of which was a pathway.
It was broad daylight by now, and O had not moved for a long time. A gardener appeared on the path, pushing a wheelbarrow.
The iron wheel could be heard squeaking over the gravel. If he had come over to rake the leaves that had fallen in among the asters, the window was so tall and the room so small and bright that he would have seen O chained and naked and the marks of the riding crop on her thighs.
The cuts were swollen, and had formed narrow swellings much darker in color than the red of the walls. Where was her lover sleeping, the way he loved to sleep on quiet mornings?
In what room, in what bed? Was he aware of the pain, the tortures to which he had delivered her? Was he the one who had decided what they would be?
O recalled the prisoners she had seen in engravings and in history books, who also had been chained and whipped many years ago, centuries ago, and had died.
She did not wish to die, but if torture was the price she had to pay to keep her lover's love, then she only hoped he was pleased that she had endured it.
All soft and silent she waited, waited for them to bring her back to him. None of the women had the keys to any locks, neither the locks to the doors nor the chains, the collars or bracelets, but every man carried a ring of three sets of keys, each of which, in the various categories, opened all the doors or all the padlocks, or all the collars.
The valets had them too. But in the morning the valets who had been on the night shift were sleeping, and it was one of the masters or another valet who came to open the locks.
The man who came into O's cell was dressed in a leather jacket and was wearing riding breeches and boots. She did not recognize him.
First he unlocked the chain on the wall, and O was able to lie down on the bed. Before he unlocked her wrists, he ran his hands between her thighs, the way the first man with mask and gloves, whom she had seen in the small red drawing room, had done.
It may have been the same one. His face was bony and fleshless, with that piercing look one associates with the portraits of the Huguenots, and his hair was gray.
O met his gaze for what seemed to be an endless time and, suddenly freezing, she remembered it was forbidden to look at the masters above the belt.
She closed her eyes, but it was too late, and she heard him laugh and say, as he finally freed her hands:. Afterward you can sleep till noon, and when you hear the bell it will be time to get ready for lunch.
You'll bathe and fix your hair. I'll come to make you up and lace up your bodice. After that you're on your own, and will have dealings only with the men.
We won't be able to talk to you, and you won't be able to talk to us either. The door opened; it was her lover, and he was not alone. It was her lover, dressed the way he used to when he had just gotten out of bed and lighted the first cigarette of the day; in striped pajamas and a blue dressing gown, the wool robe with the padded silk lapels which they had picked out together a year before.
And his slippers were worn, she would have to buy him another pair. The two women disappeared with no other sound except the rustling of silk as they lifted their skirts all the skirts were a trifle long and trailed on the ground - on the carpet the mules could not be heard.
O, who was holding a cup of coffee in her left hand and a croissant in the other, was seated cross-legged, or rather half-cross-legged, on the edge of the bed, one of her legs dangling and the other tucked up under her.
She did not move, but her cup suddenly began to shake in her hand, and she dropped the croissant. They were his first words.
She put the cup down on the table, picked up the partly eaten croissant, and put it beside the cup. A fat croissant crumb still lay on the rug, beside her bare foot.
Then he sat down near O, pulled her back down onto the bed and kissed her. She asked him if he loved her. He answered: "Yes, I love you!
Since he had come in with her lover, O did not know whether or not she could look at the man who had entered with him and who, for the moment, had his back to them and was smoking a cigarette near the door.
What followed was not of a nature to reassure her. The unknown man, whom she still did not dare to look at, then asked her, after having run his hand over her breasts and down her buttocks, to spread her legs.
He too was standing, and her back was against him. With his right hand he was caressing one breast, and his other was on her shoulder. The unknown man had sat down on the edge of the bed, he had seized and slowly parted, drawing the fleece, the lips which protected the entrance itself.
This caress, to which she never submitted without a struggled and which always filled her with shame, and from which she escaped as quickly as she could, so quickly in fact that she had scarcely had a chance to be touched, this caress which seemed a sacrilege to her, for she deemed it sacrilege for her lover to be on his knees, feeling that she should be on hers, she suddenly felt that she would not escape from it now, and she saw herself doomed.
For she moaned when the alien lips, which were pressing upon the mound of flesh whence the inner corolla emanates, suddenly inflamed her, left her to allow the hot tip of the tongue to inflame her even more; she moaned even more when the lips began again: she felt the hidden point harden and rise, that point caught in a long, sucking bite between teeth and lips, which did not let go, a long soothing bite which made her gasp for breath.
At the first stroke she cried out, as though it had been the lash of a whip, then again at each new stroke, and her lover bit her mouth.
The man tore himself abruptly away from her and fell back on the floor, as though struck by lightning, and he too gave a cry.
In a flash, O saw herself released, reduced to nothing, accursed. She had moaned beneath the lips of the stranger as never her lover had made her moan, cried out under the impact of a stranger's member as never her lover had made her cry out.
She felt debased and guilty. She could not blame him if he were to leave her. But no, the door was closing again, he was staying with her, he was coming back, lying down beside her beneath the cover, he was slipping into her moist, hot belly and, still holding her in this embrace, he said to her:.
When I'll also have given you to the valets, I'll come in one night and have you flogged till you bleed. The sun had broken through the mist and flooded the room.
But only the midday bell woke them up. O was at a loss what to do. Her lover was there, as close, as tenderly relaxed and surrendered as he was in the bed in that low-ceilinged room to which, almost every night since they had begun living together, he came to sleep with her.
It was a big, mahogany, English-style four-0poster bed, without the awning, and the posters at the head were taller than those at the foot.
He always slept on her left, and whenever he awoke, even were it in the middle of the night, his hands inevitably reached down for her legs. This is why she never wore anything but a nightgown or, if she had on pajamas, never put on the bottoms.
He did so now; she took that hand and kissed it, without ever daring to ask him for anything. But he spoke. That she was dependent on him, and on him alone, even though she might receive orders from persons other than himself, whether he was present or absent, for as a matter of principle he was participating in whatever might be demanded of or inflicted on her, and that it was he who possessed and enjoyed her through those into whose hands she had been given, by the simple fact that he had given her to them.
She must greet them and submit to them with the same respect with which she greeted him, as though they were so many reflections of him.
Thus he would possess her as a god possesses his creatures, whom he lays hold of in the guise of a monster or a bird, of an invisible spirit or a state of ecstasy.
He did not wish to leave her. The more he surrendered her, the more he would hold her dear. The fact that he gave her was to him a proof, and ought to be one for her as well that she belonged to him: one can only give what belongs to you.
He gave her only to reclaim her immediately, to reclaim her enriched in his eyes, like some common object which had been used for some divine purpose and has thus been consecrated.
For a long time he had wanted to prostitute her, and he was delighted to feel that the pleasure he was deriving was even greater than he had hoped, and that it bound him to her all the more, as it bound her to him, all the more so because, through it, she would be more humiliated and ravaged.
Since she loved him, she could not help loving whatever derived from him. O listened and trembled with happiness, because he loved her, all acquiescent she trembled.
He doubtless guessed it, for he went on:. You won't be able not to revolt. Your submission will be obtained in spite of you, not only for the inimitable pleasure that I and others will derive from it, but also that you will be made aware of what has been done to you.
O was on the verge of saying that she was his slave and that she bore her bonds cheerfully. He stopped her. The same applies to me as well: with me you shall remain silent and obey.
I love you. Now get up. From now on the only times that you will open your mouth here in the presence of a man will be to cry out or to caress.
So O got up. She bathed and arranged her hair. The contact of her bruised loins with the tepid water made her shiver, and she had to sponge herself without rubbing to keep from reviving the burning pain.
She made up her mouth but not her eyes, powdered herself and, still naked but with lowered eyes, came back into the room. He told her to dress O.
Jeanne took the bodice of green satin, the white petticoat, the dress, the green mules and having hooked up O's bodice in front, began to lace it up tight in the back.
The bodice was long and stiff, stoutly whaleboned as during the period when wasp waists were in style, with gussets to support the breasts.
The more the bodice was tightened, the more the breasts were lifted, supported as they were by the gussets, and the nipples displayed more prominently.
At the same time, the constriction of the waist caused her stomach to protrude and her backside to arch out sharply. The strange thing was that this armor was very comfortable and to a certain extent restful.
It made you stand up very straight, but it made you realize - why, it was hard to tell unless it was by contract - the freedom, or rather the unavailability, of that part of the body left unrestricted.
The full skirt and the trapezoid-shaped neckline running from the base of the neck to the tips of the breasts and across the full length of the bosom seemed to the girl to be less a protective outfit than an instrument designed to provoke or present.
When Jeanne had tied the laces in a double knot, O took her dress from the bed. It was a one-piece dress, with the petticoat attached to the skirt like a detachable lining, and the bodice, cross-laced in front and tied in the back, was thus able to follow more or less the delicate contours of her bosom, depending on how tightly the bodice was laced.
Jeanne had laced it very tight, and through the open door O was able to see herself reflected in the mirror, slim and lost in the green satin which billowed at her hips, as a hoop skirt would have done.
The two women were standing side by side. Jeanne reached out to smooth a wrinkle in the green dress, and her breasts stirred in the lace fringes of her bodice, breasts whose tips were long and the halos brown.
Her dress was of yellow faille. O saw. She saw his ironic but attentive face, his eyes carefully watching Jeanne's half-open mouth and her neck, which was thrown back, tightly circled by the leather collar.
What pleasure was she giving him, yes she, that this girl or any other could not? No, that had not occurred to her.
She had collapsed against the wall, between the two doors, her arms hanging limp. There was no longer any need to tell her to keep quiet.
How could she have spoken? Perhaps he was touched by her despair. He left Jeanne and took her in his arms, calling her his love and his life, saying over and over again that he loved her.
The hand he was caressing her neck with was moist with the odor of Jeanne. And so? The despair that had overwhelmed her slowly ebbed: he loved her, ah he loved her.
He was free to enjoy himself with Jeanne, or with others, he loved her. Jeanne took O by the hand and let her out into the hallway.
Their mules again made a resounding noise on the tile floor, and again they found a valet seated on a bench between the doors.
He was dressed like Pierre, but it was not Pierre. This one was tall, dry, and had dark hair. He preceded them and showed them into an antechamber where, before a wrought-iron door that stood between two tall green drapes, two other valets were waiting, some white dogs with russet spots lying at their feet.
But the valet who was walking in front of them heard her and turned around. O was amazed to see Jeanne turn deathly pale and let go of her hand, let go of her dress which she was holding lightly with her other hand, and sink to her knees on the black tile floor - for the antechamber was tiled in black marble.
The two valets near the gate burst out laughing. One of them came over to O and politely invited her to follow him, opened a door opposite the one she had just entered, and stood aside.
She heard laughter and the sound of footsteps, then the door closed behind her. She never - no, never - learned what had happened, whether Jeanne had been punished for having spoken, and if so what the punishment had been, or whether she had simply yielded to a caprice on the part of the valet, or whether in throwing herself on her knees she had been obeying some rule or trying to move the valet to pity, and whether she had succeeded.
It was as though clothing gave them a feeling of assurance which nakedness and nocturnal chains, and the master's presence, destroyed.
She also noticed that, whereas the slightest gestures which might have been construed as an advance toward one of the masters seemed quite naturally inconceivable, the same was not true for the valets.
They never gave orders, although the courtesy of their requests was as implacable as an order. They had apparently been enjoined to punish to the letter infractions of the rules which occurred in their presence, and to punish them on the spot.
Thus, on three occasions, O saw girls who were caught talking thrown to the floor and whipped - once in the hallway leading to the red wing, and twice again in the fectory they had just entered.
So it was possible to be whipped in broad daylight, despite what they had told her the first evening, as though what happened with the valets did not count and was left to their discretion.
Daylight made their outfits look strange and menacing. Some valets wore black stockings and, in place of the red jacket and white ruffled shirt, a soft wide-sleeved shirt of red silk, gathered at the neck and with the sleeves also gathered at the wrists.
It was one of these valets who, on the eight day at noon, his whip already in his hand, made a buxom blonde named Madeleine, who was seated not far from O, get up off her stool.
Madeleine, whose bosom was all milk and roses, had smiled at him and spoken a few words so quickly that O had missed them. Before he had time to touch her she was on her knees, her hand, so white against the black silk, lightly stroking the still dormant sex, which she took out and brought to her half-opened mouth.
That time she was not whipped. And since he was then the only monitor in the refectory, and since he closed his eyes as he accepted the caress, the other girls began talking.
So it was possible to bribe the valets. But what was the use? If there was one rule to which O had trouble submitting, and indeed never really submitted to completely, it was the rule forbidding them to look men in the face - considering that the rule applied to the valets as well, O felt herself in constant danger, so compelling was her curiosity about faces, and she was in fact whipped by both the valets, not, in truth, each time they noticed her doing for they took some liberties with instructions, and perhaps cared enough about the fascination they exercised not to deprive themselves, by too strict or efficacious an application of the rules, of the gazes which would leave their face or mouth only to return to their sex, their whips, and their hands, and then start in all over again , but only when in all probability they wanted to humiliate her.
No matter how cruelly they treated her when they had made up their minds to do so, she none the less never had the courage, or the cowardice, to throw herself at their knees, and though she submitted to them at times she never tempted or urged them on.
As for the rule of silence, it meant so little to her that, except in the case of her lover, she did not once break it, replying by signals whenever another girl would take advantage of their guards' momentary distraction to speak to her.
This was generally during meals, which were taken in the room into which they had been ushered, when the tall valet accompanying them had turned around to Jeanne.
The walls were black and the stone floor was black, the long table, of heavy glass, was black too, and each girl had a round stool covered with black leather on which to sit.
They had to lift their skirts to sit down, and in so doing O rediscovered, the moment she felt the smooth, cold leather beneath her thighs, that first moment when her lover had made her take off her stockings and panties and sit in the same manner on the back seat of the car.
And yet nothing had been such a comfort to her as the silence, unless it was the chains. The chains and the silence, which should have bound her deep within herself, which should have smothered her, strangled her, on the contrary freed her from herself.
What would have become of her if she had been granted the right to speak and the freedom of her hands, if she had been free to make a choice, when her lover prostituted her before his own eyes?
True, she did not speak as she was being tortured, but can moans and cries be classed as words? Besides, they often stilled her by gagging. Beneath the gazes, beneath the hands, beneath the sexes that defiled her, the whips that rent her, she lost herself in a delirious absence from herself which restored her to love and perhaps, brought her to the edge of death.
She was anyone, anyone at all, any one of the other girls, opened and forced like her, girls whom she saw being opened and forced, for she did see it, even when she was not obliged to have a hand in it.
Thus, less than twenty-four hours after her arrival, during her second day there, she was taken after the meal into the library, there to serve coffee and tend the fire.
Jeanne, whom the black-haired valet had brought back, went with her, as did another girl named Monique. It was this same valet who took them there and remained in the room, stationed near the stake to which O had been attached.
The library was still empty. The French doors faced wet, and in the vast, almost cloudless sky the autumn sun slowly pursued its course, its rays lighting, on a chest of drawers, an enormous bouquet of sulphur colored chrysanthemums which smelled of earth and dead leaves.
She nodded that he had. Please roll up your dress. He waited till she had rolled her robe up and behind, the way Jeanne had done the evening before, and till Jeanne had helped her fasten it there.
Then he told her to light the fire. O's backside up to her waist, her thighs, her slender legs, was framed in the cascading folds of green silk and white linen.
The five welts had turned black. The fire was ready on the hearth, all O had to do was ignite the straw beneath the kindling, which leaped into flame.
Soon the branches of apple wood caught, then the oak logs, which burned with tall, crackling, almost colorless flames which were almost invisible in the daylight, but which smelled good.
Another valet entered and placed a tray filled with coffee cups on the console, from which the lamp had been removed, then left the room.
O went over near the console, while Monique and Jeanne remained standing on either side of the fireplace. Just then two men came in, and the first valet in turn left the room.
O thought she recognized one of the men from his voice, one of those who had forced her the previous evening, the one who had asked that her rear be made more easily accessible.
As she poured the coffee into the small black and gold cups, which Monique handed around with the sugar, she stole a glance at them. So it was this thin, blond boy, a mere stripling, with an English air about him.
He was speaking again; now she was certain. The other man was also fair, thick set with a heavy face. Both of them were seated in the big leather armchairs, their feet near the fire, quietly smoking and reading their papers, paying no more heed to the women than if they had not been there.
Now and then the rustle of a paper was heard, or the sound of coals falling on the hearth. From time to time O put another long on the fire.
She was seated on a cushion on the floor beside the wood basket, Monique and Jeanne, also on the floor, across from her.
Their flowing skirts overlapped one another. Monique's skirt was a dark red. Suddenly, but only after an hour had elapsed, the blond boy called Jeanne, then Monique.
He told them to bring the ottoman it was the same ottoman on which O had been spread-eagled the night before. Monique did not wait for further instructions, she kneeled down, bent over, her breasts crushed against the first and holding both corners of the ottoman in her hands.
When the young man had Jeanne lift the red skirt, she did not stir. Jeanne was then obliged to undo his clothing - and he gave her the order in the most churlish manner - and take between her hands that sword of flesh which had so cruelly pierced O at least once.
It swelled and stiffened beneath the closed palm, and O saw these same hands, Jeanne's tiny hands, spreading Monique's thighs, into the hollow of which, slowly and in short spasms which made her moan, the lad plunged.
The other man, who was watching in silence, motioned to O to approach and, without taking his eyes off the spectacle, topped her forward over one arm of his chair - and her raised skirt gave him an unhindered view of her backside - and seized her womb with his hand.
He watched her closely, and smiled every time the hand which was holding her probed and returned, seizing both front and rear apertures at once and working deeper and deeper as they opened further, wrenching from her a moan which she could no longer restrain.
Monique had long since gotten back to her feet; Jeanne was fiddling with the fire in place of O. The man who was still holding her then said:.
She has to be widened. For the next eight days, between dusk when her stint in the library came to an end and that hour of the night - which was generally eight or ten o'clock - when she was returned to her cell, in chains and naked beneath her red cape, O wore an ebonite shaft simulating an erect male member which was inserted behind and held in place by three small chains connected to a leather belt around her hips, in such a way that the internal movements of her muscles could not expel it.
One little chain followed the furrow of her buttocks, the two others the fold on either side of the belly's triangle, in order not to prevent anyone from penetrating that side if need be.
Whatever he wanted of her she wanted too, solely because he was asking it of her. Initially reluctant to participate in these sex games she begins to blossom. Some early editions included several different variations of an epilogue which Altes Geld that Sir Stephen later abandoned Bevor I Wake, though there is debate as to whether Holzfäller Extrem intended it to be included in the finished work; in one such version, O is so distraught by the threat of this abandonment that she insists she would rather die and asks for permission to commit suicide, which is granted. He helped her to slide her skirt out from under her and down over the edges of the stool, the cold leather of which she felt against The Anomaly skin, while the metal rim around it pressed directly against the Martin Rütter Tour 2019 of her thighs, for at first she had dared Laurence Fishburne Filme half sit down, for fear that if she were to sit down completely she might yield to the temptation to cross her legs. So it was this thin, blond boy, a mere stripling, with an English air about him. Please help improve this article by adding citations to reliable sources. She covered them with her palms.
Olympia Press published the first English edition in A critical view of the novel is that it is about, and derives its erotic power from, the ultimate objectification of a woman.
The heroine has the shortest possible name. Though this is in fact a shortening of "Odile", it could also stand for "object" or "orifice", an O being a symbolic representation of any "hole".
The novel was strongly criticized by many feminists , who felt it glorified the abuse of women. When the film of The Story of O was released, L'Express magazine ran a feature on the novel and film.
The author used a pen name, then later used another pen name, before finally, just before her death, revealing her true identity.
Her lover, Jean Paulhan, wrote the preface as if the author were unknown to him. The writer's true identity was not revealed until ten years ago, when, in an interview with John de St.
Jorre, a British journalist and sometime foreign correspondent of The Observer , an impeccably dressed year-old intellectual called Dominique Aury acknowledged that the fantasies of castles, masks and debauchery were hers.
The Grove Press edition U. Jean Paulhan , the author's lover and the person to whom she wrote Story of O in the form of love letters, wrote the preface, "Happiness in Slavery".
Paulhan admired the Marquis de Sade 's work and told Desclos that a woman could not write like Sade. Desclos took this as a challenge and wrote the book.
Paulhan was so impressed that he sent it to a publisher. In one part he says, "But from the beginning to end, the story of O is managed rather like some brilliant feat.
It reminds you more of a speech than of a mere effusion; of a letter rather than a secret diary. But to whom is the letter addressed? Whom is the speech trying to convince?
Whom can we ask? I don't even know who you are. That you are a woman I have little doubt. At times, the preface when read with the knowledge of the relationship between Paulhan and the author , seems to be a continuation of the conversation between them.
In an interview [12] Paulhan explained that O, in a religious-like obsession, was seeking the loss of the responsibility on her body and mind much like many religious women losing themselves in the mercy of God.
In both cases it is the joy of destruction. Paulhan was also quoted: "To be killed by someone you love strikes me as the epitome of ecstasy".
Discussing the ending, Paulhan states, "I too was surprised by the end. And nothing you can say will convince me that it is the real end.
That in reality so to speak your heroine convinces Sir Stephen to consent to her death. One critic has seen Paulhan's essay as consistent with other themes in his work, including his interest in erotica, his "mystification" of love and sexual relationships, and a view of women that is arguably sexist.
Emmanuelle Arsan claimed the Story of O inspired her to write her own erotic novel Emmanuelle It was published again in English by Grove Press, Inc.
She is absolutely beautiful and has a great body which we see frequently as she spends much of the movie naked , so even if bondage isn't your thing there's much to hold any straight man's attention throughout!
O is introduced by her boyfriend Rene the legendary Udo Kier into the world of b and d, s and m, and suchlike.
Initially reluctant to participate in these sex games she begins to blossom. Rene "gives" her to the sophisticated Sir Stephen Anthony Steel, a major British star of the s and s , and O eventually finds herself falling in love with the older man.
This is a generally well acted movie with lots of visual style and a haunting score by Pierre Bachelet. Clery and marvel at how young and fresh faced Udo Kier looks in it!
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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Sir Stephen shares O with two other men of his acquaintance, one simply known as "the commander" and the other a young man named Ivan.
After one sexual encounter with O, Ivan believes himself to be in love with her and requests Sir Stephen release her. However O refuses to leave Sir Stephen.
Later Sir Stephen and O visit the commander's home in Brittany for a party, where O is treated as a visual spectacle, wearing nothing but chains and an owl mask.
Watching O at the party, Sir Stephen feels that his ownership of her is complete. Some time after that, O asks Sir Stephen if he would endure the same punishments and experiences that she has undergone to show her unconditional love for him.
When he says "I suppose so", she suddenly burns his hand with a hot cigarette holder, leaving there a circle, or an O. It was the first in a series of sex-orientated movies for Anthony Steel, although he was always clothed.
From Wikipedia, the free encyclopedia. This article is about the film. For the erotic novel, see Story of O.
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