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Nach dem Tod ihrer Mutter wächst Gabrielle Chanel, genannt `Coco', in einem strengen katholischen Waisenhaus auf. Ihr erstes Geld verdient sie als Näherin in einem Modesalon. Dort lernt Coco den charmanten Adelsspross Etienne kennen. Die beiden. polskierosliny.eu - Kaufen Sie Coco Chanel () Shirley MacLaine günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. "Coco Chanel" erzählt die Lebensgeschichte der legendären Modeschöpferin, angefangen mit ihrer ärmlichen Kindheit in einem französischen Waisenhaus. Coco Chanel – Der Beginn einer Leidenschaft – Wikipedia. Coco Chanel ein Film von Christian Duguay mit Barbora Bobulova, Brigitte Boucher. Inhaltsangabe: Die Lebensgeschichte der legendären Modedesignerin. Coco Chanel. GB / F / I Miniserie in 2 Teilen · Filmfassung. Deutsche Erstausstrahlung: arte. Originalsprache: Englisch. Paris im Jahr . Originaltitel: Coco ChanelFR, IT, GB | Bewertung der Redaktion. Humor; Anspruch; Action; Spannung; Erotik. Community. Biografie der Designikone.
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\ Coco Chanel. I/GB/F, Die in einfachsten Verhältnissen aufgewachsene Gabrielle "Coco" Chanel verdankte ihren Erfolg allein ihrem Talent und ihrer. Buy Coco Chanel [ ] special 2-disc edition by Shirley MacLaine from Amazon's Movies Store. Everyday low prices and free delivery on eligible orders. Chanel (1/2) Fernsehfilm Großbritannien / Frankreich / Italien | Nach dem Tod ihrer Mutter kommt die zwölfjährige Gabrielle Chanel. coco chanel ( besetzung).
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How did you buy your ticket? View All Photos Movie Info. Coco Chanel Shirley MacLaine rises from humble beginnings to become an influential French fashion designer.
Christian Duguay. Luca Bernabei. Mar 23, Shirley MacLaine. Malcolm McDowell. Barbora Bobulova. Olivier Sitruk. Valentina Lodovini.
Maggie Steed. Maria P. Marine Delterme. Christian Duguay Director. Enrico Medioli Writer. Luca Bernabei Producer.
Carrie Stein Executive Producer. Matilde Bernabei Executive Producer. Simon Vaughan Executive Producer. View All Critic Reviews 1.
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Download as PDF Printable version. Promotional poster. Considered too "ordinary" to be used in couture, it was also disliked by designers because the knit structure made it difficult to handle compared to woven fabrics.
Chanel's introduction of jersey to high-fashion worked well for two reasons: First, the war had caused a shortage of other materials, and second, women began desiring simpler and more practical clothes.
Her fluid jersey suits and dresses were created for practicality and allowed for free movement. This was greatly appreciated at the time because women were working for the war effort as nurses, in civil service, and in factories.
Their jobs involved physical activity and they had to ride trains, buses, and bicycles to get to work. Designers such as Paul Poiret and Fortuny introduced ethnic references into haute couture in the s and early s.
The beading and embroidery on her garments at this time was exclusively executed by Kitmir , an embroidery house founded by an exiled Russian aristocrat, the Grand Duchess Maria Pavlovna , who was the sister of Chanel's erstwhile lover, Grand Duke Dmitri Pavlovich.
First introduced in , [58] the Chanel tweed suit was designed for comfort and practicality. It consisted of a jacket and skirt in supple and light wool or mohair tweed, and a blouse and jacket lining in jersey or silk.
Chanel did not stiffen the material or use shoulder pads, as was common in contemporary fashion. She cut the jackets on the straight grain, without adding bust darts.
This allowed for quick and easy movement. She designed the neckline to leave the neck comfortably free and added functional pockets.
For a higher level of comfort, the skirt had a grosgrain stay around the waist, instead of a belt. More importantly, meticulous attention was placed on detail during fittings.
Measurements were taken of a customer in a standing position with arms folded at shoulder height. Chanel conducted tests with models, having them walk around, step up to a platform as if climbing stairs of an imaginary bus, and bend as if getting into a low-slung sports car.
Chanel wanted to make sure women could do all of these things while wearing her suit, without accidentally exposing parts of their body they wanted covered.
Each client would have repeated adjustments until their suit was comfortable enough for them to perform daily activities with comfort and ease.
Its heroine and her story had resonated for Chanel since her youth. The flower was associated with the courtesan , who would wear a camellia to advertise her availability.
After the jersey suit, the concept of the little black dress is often cited as a Chanel contribution to the fashion lexicon, a style still worn to this day.
In —, the actress Suzanne Orlandi was one of the first women to wear a Chanel little black dress, in velvet with a white collar. Feminine fashion of this moment in the 20th century will be baptized lop off everything.
The s was the Great Depression era, when women needed affordable fashion. Chanel boasted that she had enabled the non-wealthy to "walk around like millionaires".
Chanel proclaimed "I imposed black; it's still going strong today, for black wipes out everything else around.
Chanel introduced a line of jewellery that was a conceptual innovation, as her designs and materials incorporated both costume jewellery and fine gem stones.
This was revolutionary in an era when jewellery was strictly categorized into either fine or costume jewellery.
Her inspirations were global, often inspired by design traditions of the Orient and Egypt. Wealthy clients who did not wish to display their costly jewellery in public could wear Chanel creations to impress others.
In , designer Paul Iribe collaborated with Chanel in the creation of extravagant jewellery pieces commissioned by the International Guild of Diamond Merchants.
The collection, executed exclusively in diamonds and platinum, was exhibited for public viewing and drew a large audience; some 3, attendees were recorded in a one-month period.
As an antidote for vrais bijoux en toc , the obsession with costly, fine jewels, [36] Chanel turned costume jewellery into a coveted accessory—especially when worn in grand displays, as she did.
Originally inspired by the opulent jewels and pearls given to her by aristocratic lovers, Chanel raided her own jewel vault and partnered with Duke Fulco di Verdura to launch a House of Chanel jewellery line.
A white enameled cuff featuring a jeweled Maltese cross was Chanel's personal favourite; it has become an icon of the Verdura—Chanel collaboration.
Chanel said, "It's disgusting to walk around with millions around the neck because one happens to be rich.
I only like fake jewellery In Chanel introduced a handbag inspired by soldier's bags. Its thin shoulder strap allowed the user to keep her hands free.
Following her comeback, Chanel updated the design in February , creating what would become the " 2. The bag's design was informed by Chanel's convent days and her love of the sporting world.
The chain used for the strap echoed the chatelaines worn by the caretakers of the orphanage where Chanel grew up, whilst the burgundy lining referenced the convent uniforms.
In an outdoor environment of turf and sea, Chanel took in the sun, making suntans not only acceptable, but a symbol denoting a life of privilege and leisure.
Historically, identifiable exposure to the sun had been the mark of laborers doomed to a life of unremitting, unsheltered toil. The Chanel influence made sun bathing fashionable.
From Wikipedia, the free encyclopedia. For the television film, see Coco Chanel film. French fashion designer.
Saumur , Maine-et-Loire , France. Milliner dressmaker fashion designer. Retrieved 15 March Women Who Changed the World.
Retrieved 8 March Chanel: An Intimate Life. London: Penguin. Retrieved 20 May Spiegel Online in German. Hitler's Intelligence Chief: Walter Schellenberg.
New York: Enigma Books. New York: Knopf. London: Fig Tree. The Telegraph. Retrieved 29 July Chanel and Her World. London: Weidenfeld and Nicolson.
Coco Chanel: A Biography. London: Bloomsbury. Coco Chanel and the Pulse of History. Lifetime TV. Mademoiselle: Coco Chanel and the Pulse of History.
New York: Random House. Retrieved 3 January Coco Chanel: The Legend and the Life. BA Education. Archived from the original on 2 June Retrieved 10 April Chanel: Her Style and Her Life.
Retrieved 6 November Le Seuil. The Secret of Chanel No. Gloucester: A. Archived from the original on 16 August Art and Fashion.
Sterling Publishing. Glass Magazine 2 : 66— Stravinsky: A Creative Spring. New York: Alfred A. The New York Times : 24 February The Emperor of Scent: A true story of perfume and obsession.
Random House Inc. The Wendy and Emery Reves Collection. Dallas: Dallas Museum of Art. Archived from the original on 2 October Archived from the original on 30 October Retrieved 4 December Chanel: A Woman of Her Own.
The Australian Ballet. Retrieved 8 November The Lincoln Star. Lincoln, Nebraska. Retrieved 1 August — via Newspapers.
The Times. The New York Times. USA Today. Retrieved 15 June The Bloomsbury Encyclopedia of Design. Cremerie de Paris. The Guardian. Fodor's Travel Intelligence.
Archived from the original on 28 September Retrieved 11 September
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The New Yorker speculated that Chanel left Hollywood because "they told her her dresses weren't sensational enough. SaumurMaine-et-LoireFrance. Archived from the original on 30 October Lifetime TV. It was at this time that Gabrielle acquired the name "Coco" when she spent Tv Programm 3sat nights singing in the cabaret, often the song, "Who Has Seen Coco? She realised then that a serious stage career was not in her future. Balsan's wealth allowed the cultivation of a social set that reveled in partying and the gratification of human appetites, with all the implied accompanying decadence.
Balsan showered Chanel with the baubles of "the rich life"—diamonds, dresses, and pearls. It is said that Capel's sartorial style influenced the conception of the Chanel look.
The bottle design for Chanel No. It is believed Chanel adapted the rectangular, beveled lines of the Charvet toiletry bottles he carried in his leather traveling case [22] or she adapted the design of the whiskey decanter Capel used.
She so much admired it that she wished to reproduce it in "exquisite, expensive, delicate glass". Even after Capel married an English aristocrat, Lady Diana Wyndham in , he did not completely break off with Chanel.
He died in a car accident on 21 December In losing Capel, I lost everything. What followed was not a life of happiness, I have to say.
Chanel had begun designing hats while living with Balsan, initially as a diversion that evolved into a commercial enterprise. She became a licensed milliner in and opened a boutique at 21 rue Cambon, Paris, named Chanel Modes.
Subsequently, Dorziat modelled Chanel's hats again in photographs published in Les Modes. In , Chanel opened a boutique in Deauville , financed by Arthur Capel, where she introduced deluxe casual clothing suitable for leisure and sport.
The fashions were constructed from humble fabrics such as jersey and tricot , at the time primarily used for men's underwear.
Chanel had the dedicated support of two family members, her sister Antoinette, and her paternal aunt Adrienne, who was of a similar age. Chanel, determined to re-create the success she enjoyed in Deauville, opened an establishment in Biarritz in After one year of operation, the business proved to be so lucrative that in Chanel was able to reimburse Capel's original investment.
They had a romantic interlude, and maintained a close association for many years afterward. In , Chanel purchased the building at 31 rue Cambon, in one of the most fashionable districts of Paris.
In , she opened an early incarnation of a fashion boutique , featuring clothing, hats, and accessories, later expanded to offer jewellery and fragrances.
By , Chanel owned five properties on the rue Cambon, buildings numbered 23 to She invited them to her new home, Bel Respiro , in the Paris suburb of Garches , until they could find a suitable residence.
Bader was interested in selling Chanel No. They created a corporate entity, Parfums Chanel , and the Wertheimers agreed to provide full financing for the production, marketing, and distribution of Chanel No.
For ten percent of the stock, Chanel licensed her name to Parfums Chanel and withdrew from involvement in business operations.
It is said that theirs was an immediate bond of kindred souls, and Misia was attracted to Chanel by "her genius, lethal wit, sarcasm and maniacal destructiveness, which intrigued and appalled everyone".
They also shared drug use. By , Chanel had become a habitual drug user, injecting herself with morphine on a daily basis, a habit she maintained to the end of her life.
The writer Colette , who moved in the same social circles as Chanel, provided a whimsical description of Chanel at work in her atelier, which appeared in Prisons et Paradis That tuft of curly black hair, the attribute of bull-calves, falls over her brow all the way to the eyelids and dances with every maneuver of her head.
In , Vera Bate Lombardi , born Sarah Gertrude Arkwright , [ citation needed ] reputedly the illegitimate daughter of the Marquess of Cambridge , [ citation needed ] afforded Chanel entry into the highest levels of British aristocracy.
It was an elite group of associations revolving around such figures as politician Winston Churchill , aristocrats such as the Duke of Westminster, and royals such as Edward, Prince of Wales.
The duke lavished Chanel with extravagant jewels, costly art, and a home in London's prestigious Mayfair district. His affair with Chanel lasted ten years.
The duke, an outspoken anti-Semite, intensified Chanel's inherent antipathy toward Jews. He shared with her an expressed homophobia.
In , Chanel was quoted by her friend and confidant, Paul Morand , "Homosexuals? I have seen young women ruined by these awful queers: drugs, divorce, scandal.
They will use any means to destroy a competitor and to wreak vengeance on a woman. The queers want to be women—but they are lousy women. They are charming!
The prince allegedly was smitten with Chanel and pursued her in spite of her involvement with the Duke of Westminster.
Gossip had it that he visited Chanel in her apartment and requested that she call him "David", a privilege reserved only for his closest friends and family.
Years later, Diana Vreeland , editor of Vogue , would insist that "the passionate, focused and fiercely independent Chanel, a virtual tour de force," and the Prince "had a great romantic moment together".
Chanel built a villa here, which she called La Pausa [ citation needed ] 'restful pause' , hiring the architect Robert Streitz.
Streitz's concept for the staircase and patio contained design elements inspired by Aubazine , the orphanage where Chanel spent her youth.
There is only one Chanel. During Chanel's affair with the Duke of Westminster in the s, her style began to reflect her personal emotions.
Her inability to reinvent the little black dress was a sign of such reality. She began to design a "less is more" aesthetic.
Goldwyn offered Chanel a tantalizing proposition. Chanel accepted the offer. Accompanying her on her first trip to Hollywood was her friend, Misia Sert.
En route to California from New York, traveling in a white train carriage luxuriously outfitted for her use, Chanel was interviewed by Colliers magazine in She said that she had agreed to go to Hollywood to "see what the pictures have to offer me and what I have to offer the pictures.
Both Greta Garbo and Marlene Dietrich became private clients. Her experience with American movie making left Chanel with a dislike for Hollywood's film business and a distaste for the film world's culture, which she called "infantile".
The New Yorker speculated that Chanel left Hollywood because "they told her her dresses weren't sensational enough.
She made a lady look like a lady. Hollywood wants a lady to look like two ladies. Chanel introduced the left-wing Renoir to Luchino Visconti , aware that the shy Italian hoped to work in film.
Renoir was favorably impressed by Visconti and brought him in to work on his next film project. Chanel was the mistress of some of the most influential men of her time, but she never married.
She had significant relationships with the poet Pierre Reverdy and the illustrator and designer Paul Iribe.
After her romance with Reverdy ended in , they maintained a friendship that lasted some forty years. A review of her correspondence reveals a complete contradiction between the clumsiness of Chanel the letter writer and the talent of Chanel as a composer of maxims Her involvement with Iribe was a deep one until his sudden death in The Chanel couture was a lucrative business enterprise, by employing 4, people.
The boyish look and the short skirts of the s flapper seemed to disappear overnight. Chanel's designs for film stars in Hollywood were not successful and had not enhanced her reputation as expected.
More significantly, Chanel's star had been eclipsed by her premier rival, the designer Elsa Schiaparelli. Schiaparelli's innovative designs, replete with playful references to surrealism , were garnering critical acclaim and generating enthusiasm in the fashion world.
Feeling she was losing her avant-garde edge, Chanel collaborated with Jean Cocteau on his theatre piece Oedipe Rex. The costumes she designed were mocked and critically lambasted: "Wrapped in bandages the actors looked like ambulant mummies or victims of some terrible accident.
However, due to the declaration of war by Great Britain on 3 September , the ballet was forced to leave London.
They left the costumes in Europe and were re-made, according to Dali's initial designs, by Karinska. In , at the beginning of World War II, Chanel closed her shops, maintaining her apartment situated above the couture house at 31 Rue de Cambon.
She said that it was not a time for fashion; [28] as a result of her action, 4, female employees lost their jobs. In closing her couture house, Chanel made a definitive statement of her political views.
Her dislike of Jews, reportedly sharpened by her association with society elites, had solidified her beliefs. She shared with many of her circle a conviction that Jews were a threat to Europe because of the Bolshevik government in the Soviet Union.
During the German occupation, Chanel resided at the Hotel Ritz. It was noteworthy as the preferred place of residence for upper-echelon German military staff.
Sleeping with the Enemy, Coco Chanel and the Secret War written by Hal Vaughan further solidifies the consistencies of the French intelligence documents released by describing Coco as a "vicious anti-Semite" who praised Hitler.
World War II, specifically the Nazi seizure of all Jewish-owned property and business enterprises, provided Chanel with the opportunity to gain the full monetary fortune generated by Parfums Chanel and its most profitable product, Chanel No.
The directors of Parfums Chanel , the Wertheimers, were Jewish. Chanel used her position as an " Aryan " to petition German officials to legalize her claim to sole ownership.
At war's end, Amiot returned "Parfums Chanel" to the hands of the Wertheimers. During the period directly following the end of World War II, the business world watched with interest and some apprehension the ongoing legal wrestle for control of Parfums Chanel.
Interested parties in the proceedings were cognizant that Chanel's Nazi affiliations during wartime, if made public knowledge, would seriously threaten the reputation and status of the Chanel brand.
Forbes magazine summarized the dilemma faced by the Wertheimers: [it is Pierre Wertheimer's worry] how "a legal fight might illuminate Chanel's wartime activities and wreck her image—and his business.
On 17 May , Chanel received wartime profits from the sale of Chanel No. Her future share would be two percent of all Chanel No. The financial benefit to her would be enormous.
In addition, Pierre Wertheimer agreed to an unusual stipulation proposed by Chanel herself. Wertheimer agreed to pay all of Chanel's living expenses—from the trivial to the large—for the rest of her life.
Pseudonym: Westminster. Agent reference: F Signalled as suspect in the file" Pseudonyme: Westminster. Indicatif d'agent: F Anti-Nazi activist Serge Klarsfeld declared, "It is not because Chanel had a spy number that she was necessarily personally implicated.
Some informers had numbers without being aware of it. He was released in owing to incurable liver disease and took refuge in Italy.
Chanel paid for Schellenberg's medical care and living expenses, financially supported his wife and family, and paid for Schellenberg's funeral upon his death in Suspicions of Coco Chanel's involvement first began when German tanks entered Paris and began the Nazi occupation.
Chanel immediately sought refuge in the deluxe Hotel Ritz, which was also used as the headquarters of the German military. When the Nazi occupation of France began, Chanel decided to close her store, claiming a patriotic motivation behind such decision.
However, when she moved into the same Hotel Ritz that was housing the German military, her motivations became clear to many.
While many women in France were punished for " horizontal collaboration " with German officers, Chanel faced no such action. At the time of the French liberation in , Chanel left a note in her store window explaining Chanel No.
During this time, she fled to Switzerland to avoid criminal charges for her collaborations as a Nazi spy. Working as a spy, Chanel was directly involved in a plan for the Third Reich to take control of Madrid.
Such documents identify Chanel as an agent in the German military intelligence, the Abwehr. Chanel visited Madrid in to convince the British ambassador to Spain, Sir Samuel Hoare , a friend of Winston Churchill , about a possible German surrender once the war was leaning towards an Allied victory.
One of the most prominent missions she was involved in was Operation Modellhut "Operation Model Hat". Her duty was to act as a messenger from Hitler's Foreign Intelligence to Churchill to prove that some of the Third Reich attempted peace with the Allies.
When interrogated by British intelligence at war's end, Schellenberg maintained that Chanel was "a person who knew Churchill sufficiently to undertake political negotiations with him".
Count Joseph von Ledebur-Wicheln, a Nazi agent who defected to the British Secret Service in , recalled a meeting he had with Dincklage in early , in which the baron had suggested including Lombardi as a courier.
Dincklage purportedly said, "The Abwehr had first to bring to France a young Italian woman [Lombardi] Coco Chanel was attached to because of her lesbian vices Unaware of the machinations of Schellenberg and Chanel, Lombardi was led to believe that the forthcoming journey to Spain would be a business trip exploring the potential for establishing Chanel couture in Madrid.
Lombardi acted as intermediary, delivering a letter written by Chanel to Churchill, to be forwarded to him via the British Embassy in Madrid.
The committee had no documented evidence of her collaborative activities and was obliged to release her. According to Chanel's grand-niece, Gabrielle Palasse Labrunie, when Chanel returned home she said, "Churchill had me freed".
The extent of Churchill's intervention for Chanel after the war became a subject of gossip and speculation. Some historians claimed that people worried that, if Chanel were forced to testify about her own activities at trial, she would expose the pro-Nazi sympathies and activities of certain top-level British officials, members of the society elite, and the royal family.
Vaughan writes that some claim that Churchill instructed Duff Cooper , British ambassador to the French provisional government, to protect Chanel.
Requested to appear in Paris before investigators in , Chanel left her retreat in Switzerland to confront testimony given against her at the war crime trial of Baron Louis de Vaufreland , a French traitor and highly placed German intelligence agent.
Chanel denied all the accusations. She offered the presiding judge, Leclercq, a character reference: "I could arrange for a declaration to come from Mr.
Duff Cooper. Chanel's friend and biographer Marcel Haedrich said of her wartime interaction with the Nazi regime: "If one took seriously the few disclosures that Mademoiselle Chanel allowed herself to make about those black years of the occupation, one's teeth would be set on edge.
Churchill and Chanel's friendship marks its origin in the s with the eruption of Chanel's scandalous beginning when falling in love with the Duke of Westminster.
Churchill's intervention at the end of the war prevented Chanel's punishment for spy collaborations, and ultimately salvaged her legacy.
When Vaughan's book was published in August , his disclosure of the contents of recently declassified military intelligence documents generated considerable controversy about Chanel's activities.
Maison de Chanel issued a statement, portions of which were published by several media outlets. Chanel corporate "refuted the claim" of espionage , while acknowledging that company officials had read only media excerpts of the book.
The Chanel Group stated, "What is certain is that she had a relationship with a German aristocrat during the War.
Clearly it wasn't the best period to have a love story with a German even if Baron von Dincklage was English by his mother and she Chanel knew him before the War.
In an interview given to the Associated Press , author Vaughan discussed the unexpected turn of his research, "I was looking for something else and I come across this document saying 'Chanel is a Nazi agent' Then I really started hunting through all of the archives, in the United States, in London, in Berlin and in Rome and I come across not one, but 20, 30, 40 absolutely solid archival materials on Chanel and her lover, Hans Günther von Dincklage, who was a professional Abwehr spy.
Vaughan also addressed the discomfort many felt with the revelations provided in his book: "A lot of people in this world don't want the iconic figure of Gabrielle Coco Chanel, one of France's great cultural idols, destroyed.
This is definitely something that a lot of people would have preferred to put aside, to forget, to just go on selling Chanel scarves and jewellery.
In , Chanel moved to Switzerland , where she lived for several years, part of the time with Dincklage. Five rooms from La Pausa have been replicated at the Dallas Museum of Art , to house the Reves' art collection as well as pieces of furniture belonging to Chanel.
Chanel was convinced that women would ultimately rebel against the aesthetic favored by the male couturiers, what she called "illogical" design: the "waist cinchers, padded bras, heavy skirts, and stiffened jackets".
At more than 70 years old, after having her couture house closed for 15 years, she felt the time was right for her to re-enter the fashion world.
However, the American and British press saw it as a "breakthrough", bringing together fashion and youth in a new way. According to Edmonde Charles-Roux, [9] : Chanel had become tyrannical and extremely lonely late in life.
In her last years she was sometimes accompanied by Jacques Chazot and her confidante Lilou Marquand. The former rivals shared happy memories of times with the Duke of Westminster.
They frequently strolled together through central Paris. As began, Chanel was 87 years old, tired, and ailing.
She carried out her usual routine of preparing the spring catalogue. She had gone for a long drive the afternoon of Saturday, 9 January.
Soon after, feeling ill, she went to bed early. She died on Sunday, 10 January , at the Hotel Ritz, where she had resided for more than 30 years.
Although Chanel was viewed as a prominent figure of luxury fashion during her life, Chanel's influence has been examined further after her death in When Chanel died, the first lady of France, Mme Pompidou, organized a hero's tribute.
Soon, damaging documents from French intelligence agencies were released that outlined Chanel's wartime involvements, quickly ending her monumental funeral plans.
As early as , Harper's Bazaar raved over Chanel's designs: "The woman who hasn't at least one Chanel is hopelessly out of fashion This season the name Chanel is on the lips of every buyer.
The Chanel trademark look was of youthful ease, liberated physicality, and unencumbered sportive confidence. The horse culture and penchant for hunting so passionately pursued by the elites, especially the British, fired Chanel's imagination.
Her own enthusiastic indulgence in the sporting life led to clothing designs informed by those activities.
From her excursions on water with the yachting world, she appropriated the clothing associated with nautical pursuits: the horizontal striped shirt, bell-bottom pants, crewneck sweaters, and espadrille shoes—all traditionally worn by sailors and fishermen.
Chanel's initial triumph was her innovative use of jersey, a machine knit material manufactured for her by the firm Rodier, [9] : , and a fabric traditionally relegated to the manufacture of undergarments.
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Christian Duguay. Luca Bernabei. Mar 23, Shirley MacLaine. Malcolm McDowell. Barbora Bobulova. Olivier Sitruk. Valentina Lodovini.
Maggie Steed. Maria P. Marine Delterme. Christian Duguay Director. Enrico Medioli Writer. Luca Bernabei Producer. Carrie Stein Executive Producer.
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Défilé Prêt à Porter Croisière 2008 9 CHANEL Miami Matilde Bernabei. Coco möchte sich durchsetzen und arbeiten, die Hilfe, die sie braucht, bekommt sie von Capel, der ihr Geld für ihr Vorhaben Da Wo Die Herzen Schlagen und das verdiente verwaltet. Hier entwickelt sie ihr besonderes Talent für die Schneiderkunst. Detailsuche einschalten. Alle anzeigen. Detailsuche Sendungstitel. Nutzer haben sich diesen Film vorgemerkt. Nicolas Traube. Alle anzeigen. Lea Tafuri. Detailsuche Sendungstitel. Menü Tagestipps Komplette Handlung und Informationen zu Coco Chanel "Coco Chanel" erzählt die Lebensgeschichte der legendären Viv Albertine, angefangen mit ihrer ärmlichen Kindheit in einem französischen Waisenhaus Ted Kinox ihre ersten Schritte in der Modewelt als Schneiderin und ihre tragische Liebe zu einem Engländer bis zu ihrem Durchbruch als Geschäftsfrau. Luc Barnier.
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