Lovecraft Neue Rezensionen zu H. P. Lovecraft
Howard Phillips Lovecraft war ein amerikanischer Schriftsteller. Er gilt als der bedeutendste Autor phantastischer Horrorliteratur des Jahrhunderts und hat mit dem von ihm erfundenen Cthulhu-Mythos zahlreiche Nachfolger beeinflusst. Howard Phillips Lovecraft (* August in Providence, Rhode Island; † März ebenda; meist nur H. P. Lovecraft) war ein amerikanischer. Diese Liste enthält die Erzählungen des amerikanischen Schriftstellers H. P. Lovecraft. Titel, Übersetzung, geschrieben, erschienen, Erstdruck, Kollaboration /. Ob "Stranger Things", "Dark" oder "Twin Peaks": Alle jüngeren Horrorerzählungen gehen zurück auf H. P. Lovecraft. Er spaltet die Welt in Fans. Der vorliegenden Neuübersetzung des erzählerischen Gesamtwerks aus der Feder zweier ausgewiesener Lovecraft-Kenner gelingt es erstmals, Lovecrafts. Der US-amerikanische Schriftsteller Howard Phillips Lovecraft ( August - März ) ist einer der einflussreichsten Autoren im Bereich der. Der Anfang des Jahrhunderts ( – ) lebende amerikanische Schriftsteller Howard Phillips Lovecraft gilt als einer der einflussreichsten Autoren im.
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La Filosofia in Lovecraft - Da dove leggerlo? Die beliebtesten Werke des Autors lesen. Jetzt H. P. Lovecrafts Bücher bestellen. Bequem & sicher online. Direkt hier aussuchen. Schnelle Lieferung. Willkommen im Lovecraft Wiki! Dies ist ein Online Handbuch zu dem von H.P. Lovecraft erschaffenen. Leben. Das Leben von Howard Phillips Lovecraft (Kurzbiographie). Gelesen von David Nathan, der deutschen Stimme von Jonny Depp. Beliebtestes Buch: Berge des WahnsinnsHoward Phillips Lovecraft wurde am August in Providence, Rhode Island geboren. Sein Vater Winfield Scott. Ich fand das spätpubertierend sehr Lovecraft. Nur Thema und Grundhandlung wurden vom ursprünglichen Fremd- Manuskript übernommen. Eine dreibändige Sammlung der Erzählungen Lovecrafts erschien ab Von hier aus wird Lovecrafts sogenannter kosmischer Pessimismus wiedererkennbar. Um die Jahrhundertwende befand sich die wissenschaftliche David C. Bunners rassistischer Vorstellungen, etwa durch Cinestar Villingen Schwenningen Anthropologen Franz Boas Tim Dekay, noch in den Anfängen. Joshi schätzt, dass Lovecraft zwischen und seinem Todesjahr etwa Lovecraft, H. Er gilt als der bedeutendste Autor phantastischer Horrorliteratur des Als Kleinkind lernte er Gedichte auswendig und begann im Alter von sechs Jahren, eigene zu schreiben.
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Virtual Reality. Learn More Icon Arrow Default. Learn More About the Craft. In , he wrote a critical letter to a pulp magazine that ultimately led to his involvement in pulp fiction.
During the interwar period , he wrote and published stories that focused on his interpretation of humanity's place in the universe.
In his view, humanity was an unimportant part of an uncaring cosmos that could be swept away at any moment.
These stories also included fantastic elements that represented the perceived fragility of anthropocentrism.
Lovecraft was at the center of a wider body of authors known as "The Lovecraft Circle". This group wrote stories that frequently shared details among them.
He was also a prolific letter writer. He maintained a correspondence with several different authors and literary proteges.
According to some estimates, he wrote approximately , letters over the course of his life. Throughout his adult life, Lovecraft was never able to support himself from earnings as an author and editor.
He was virtually unknown during his lifetime and was almost exclusively published in pulp magazines before he died in poverty at the age of 46, but is now regarded as one of the most significant 20th-century authors of supernatural horror fiction.
His writings are the basis of the Cthulhu Mythos, which has inspired a large body of pastiches , games, music and other media drawing on Lovecraft's characters, setting and themes, constituting a wider subgenre known as Lovecraftian horror.
Lovecraft was born in his family home on August 20, , in Providence, Rhode Island. Though it is not clear who reported Winfield's prior behavior to the hospital, medical records indicate that he had been "doing and saying strange things at times" for a year before his commitment.
His death certificate listed the cause of death as general paresis , a term synonymous with late-stage syphilis. It is not known whether Lovecraft was simply kept ignorant of his father's illness or whether his later remarks were intentionally misleading.
After his father's hospitalization, Lovecraft resided in the family home with his mother, his maternal aunts Lillian and Annie, and his maternal grandparents Whipple and Robie.
In his old age he helped raise the young H. Lovecraft and educated him not only in the classics, but also in original weird tales of "winged horrors" and "deep, low, moaning sounds" which he created for his grandchild's entertainment.
The exact sources of Phillips' weird tales have not been identified. While there is no indication that Lovecraft was particularly close to his grandmother Robie, her death in had a profound effect.
By his own account, it sent his family into "a gloom from which it never fully recovered. Lovecraft's earliest known literary works began at age seven with poems restyling the Odyssey and other mythological stories.
He recalled, at five years old, being told Santa Claus did not exist and retorting by asking why "God is not equally a myth.
He also examined the anatomy books available to him in the family library, learning the specifics of human reproduction that had yet to be explained to him, and found that it "virtually killed my interest in the subject.
He began producing the periodical Rhode Island Journal of Astronomy , of which 69 issues survive, using the hectograph printing method. The written recollections of his peers described him as both withdrawn yet openly welcoming to anyone who shared his current fascination with astronomy, inviting anyone to look through the telescope he prized.
By , Whipple's various business concerns were suffering a downturn and slowly reducing his family's wealth. He was forced to let his family's hired servants go, leaving Lovecraft, Whipple, and Susie, being the only unmarried sister, alone in the family home.
Within months, he died due to a stroke at age After Whipple's death, Susie was unable to support the upkeep of the expansive family home on what remained of the Phillips' estate.
Later that year, she was forced to move herself and her son to a small duplex. Much like his earlier school years, Lovecraft was at times removed from school for long periods for what he termed "near breakdowns.
It was in , prior to his high school graduation, when Lovecraft suffered another health crisis of some sort, though this instance was seemingly more severe than any prior.
The exact circumstances and causes remain unknown. The only direct records are Lovecraft's own later correspondence wherein he described it variously as a "nervous collapse" and "a sort of breakdown," in one letter blaming it on the stress of high school despite his enjoying it.
In another letter concerning the events of , he notes, "I was and am prey to intense headaches, insomnia, and general nervous weakness which prevents my continuous application to any thing.
Whether Lovecraft suffered from a physical ailment, a mental one, or some combination thereof has never been determined. An account from a high school classmate described Lovecraft as exhibiting "terrible tics" and that at times "he'd be sitting in his seat and he'd suddenly up and jump.
Few of Lovecraft and Susie's activities from late to are recorded. A friend of Susie, Clara Hess, recalled a visit during which Susie spoke continuously about Lovecraft being "so hideous that he hid from everyone and did not like to walk upon the streets where people could gaze on him.
During this period, Lovecraft revived his earlier scientific periodicals. Called Providence in A. In , Lovecraft's letters to editors began appearing in pulp and weird-fiction magazines, most notably Argosy.
Lovecraft described Jackson's stories as "trivial, effeminate, and, in places, coarse. Lovecraft's biggest critic was John Russell, who often replied in verse, and to whom Lovecraft felt compelled to reply because he respected Russell's writing skills.
Daas invited Russell and Lovecraft to the organization and both accepted, Lovecraft in April Lovecraft immersed himself in the world of amateur journalism for most of the following decade.
He contrasted this with his view of "professional publication," which he termed as writing for journals and publishers he considered respectable.
He thought of amateur journalism as training and practice for a professional career. Emblematic of the Anglophile opinions he maintained throughout his life, he openly criticized other UAPA contributors for their "Americanisms" and "slang.
Lovecraft published multiple criticisms of the U. Due in no small part to the encouragement of W. Though he passed the physical exam, [51] he told Kleiner that his mother "has threatened to go to any lengths, legal or otherwise, if I do not reveal all the ills which unfit me for the army".
In the winter of —, Susie, exhibiting symptoms of a "nervous breakdown" of some sort, went to live with her elder sister Lillian. It is unclear what Susie may have been suffering from.
Neighbour and friend Clara Hess, interviewed in , recalled instances of Susie describing "weird and fantastic creatures that rushed out from behind buildings and from corners at dark.
Late saw Lovecraft become more outgoing. After a period of isolation, he began joining friends in trips to writer gatherings; the first being a talk in Boston presented by Lord Dunsany , whom Lovecraft had recently discovered and idolized.
The Cthulhu Mythos, a term likely coined by August Derleth , encompasses Lovecraft's stories that share a commonality in the revelation of cosmic insignificance, initially realistic settings, and recurring entities and texts.
In it is found one of Lovecraft's most enduring bits of writing, a couplet recited by his creation Abdul Alhazred , "That is not dead which can eternal lie; And with strange aeons even death may die.
On May 24, , Susie died in Butler Hospital, due to complications from a gall bladder surgery five days earlier.
Lovecraft's initial reaction, expressed in a letter nine days after Susie's death, was that of an "extreme nervous shock" that crippled him physically and emotionally, again remarking that he found no reason he should continue living.
It was at one such convention in July that Lovecraft met Sonia Greene. Lovecraft's aunts disapproved of this relationship with Sonia.
Lovecraft and Greene married on March 3, , and relocated to her Brooklyn apartment at Flatbush Avenue; she thought he needed to leave Providence to flourish and was willing to support him financially.
She attributed Lovecraft's passive nature to a stultifying upbringing by his mother. He was enthralled by New York, and, in what was informally dubbed the Kalem Club, he acquired a group of encouraging intellectual and literary friends who urged him to submit stories to Weird Tales ; editor Edwin Baird accepted many otherworldly 'Dream Cycle' Lovecraft stories for the ailing publication, though they were heavily criticized by a section of the readership.
On New Year's Day of , Sonia moved to Cleveland for a job opportunity, and Lovecraft left Flatbush for a small first-floor apartment on Clinton Street "at the edge of Red Hook "—a location which came to discomfort him greatly.
Loveman was Jewish, but he and Lovecraft became close friends in spite of the latter's nativist attitudes.
Not long after the marriage, Greene lost her business and her assets disappeared in a bank failure; she also became ill. Lovecraft made efforts to support his wife through regular jobs, but his lack of previous work experience meant he lacked proven marketable skills.
After a few unsuccessful spells as a low-level clerk, his job-seeking became desultory. The publisher of Weird Tales attempted to put the loss-making magazine on a business footing and offered the job of editor to Lovecraft, who declined, citing his reluctance to relocate to Chicago; "think of the tragedy of such a move for an aged antiquarian," the year-old writer declared.
Baird was replaced with Farnsworth Wright , whose writing Lovecraft had criticized. Lovecraft's submissions were often rejected by Wright.
This may have been partially due to censorship guidelines imposed in the aftermath of a Weird Tales story that hinted at necrophilia, although after Lovecraft's death, Wright accepted many of the stories he had originally rejected.
Greene, moving to where the work was, relocated to Cincinnati, and then to Cleveland; her employment required constant travel.
Added to the daunting reality of failure in a city with a large immigrant population, Lovecraft's single-room apartment at Clinton Street in Brooklyn Heights , not far from the working-class waterfront neighborhood Red Hook , was burgled, leaving him with only the clothes he was wearing.
In August , he wrote " The Horror at Red Hook " and " He ", in the latter of which the narrator says "My coming to New York had been a mistake; for whereas I had looked for poignant wonder and inspiration [ With a weekly allowance Greene sent, Lovecraft moved to a working-class area of Brooklyn Heights , where he subsisted in a tiny apartment.
Back in Providence, Lovecraft lived in a "spacious brown Victorian wooden house" at 10 Barnes Street until The period beginning after his return to Providence—the last decade of his life—was Lovecraft's most prolific; in that time he produced short stories, as well as his longest works of fiction: The Dream-Quest of Unknown Kadath , The Case of Charles Dexter Ward , and At the Mountains of Madness.
He frequently revised work for other authors and did a large amount of ghostwriting , including The Mound , Winged Death , and The Diary of Alonzo Typer.
Client Harry Houdini was laudatory, and attempted to help Lovecraft by introducing him to the head of a newspaper syndicate. Plans for a further project were ended by Houdini's death.
Although he was able to combine his distinctive style allusive and amorphous description by horrified though passive narrators with the kind of stock content and action that the editor of Weird Tales wanted—Wright paid handsomely to snap up " The Dunwich Horror " which proved very popular with readers—Lovecraft increasingly produced work that brought him no remuneration.
Affecting a calm indifference to the reception of his works, Lovecraft was in reality extremely sensitive to criticism and easily precipitated into withdrawal.
He was known to give up trying to sell a story after it had been once rejected. Sometimes, as with The Shadow over Innsmouth which included a rousing chase that supplied action he wrote a story that might have been commercially viable but did not try to sell it.
Lovecraft even ignored interested publishers. He failed to reply when one inquired about any novel Lovecraft might have ready: although he had completed such a work, The Case of Charles Dexter Ward , it was never typed up.
Greene moved to California in and remarried in , unaware that Lovecraft, despite his assurances to the contrary, had never officially signed the final decree.
Lovecraft was never able to provide for even basic expenses by selling stories and doing paid literary work for others. He lived frugally, subsisting on an inheritance that was nearly depleted by the time he died.
He sometimes went without food to be able to pay the cost of mailing letters. As a result of the Great Depression , he shifted towards socialism, decrying both his prior beliefs and the rising tide of fascism.
Roosevelt , but he thought that the New Deal was not sufficiently leftist. In late , he witnessed the publication of The Shadow over Innsmouth as a paperback book.
It sold slowly and only approximately copies were bound. The remaining copies were destroyed after the publisher went out of business.
By this point, Lovecraft's literary career had reached its end. Shortly after having written his last original short story, " The Haunter of the Dark ", he stated that the hostile reception of At the Mountains of Madness had done "more than anything to end my effective fictional career.
On June 11, Robert E. Howard committed suicide after being told that his mother would not awaken from her coma. His mother died shortly thereafter.
This deeply affected Lovecraft, who consoled Howard's father. He was suffering from an affliction that he referred to as "grippe".
Due to his fear of doctors, Lovecraft was not examined until a mere month before his death. He remained hospitalized during that time.
He lived in constant pain until his death on March 15, , in Providence. In accordance with his lifelong scientific curiosity, he kept a diary of his illness until he was physically incapable of holding a pen.
His interest started from his childhood days when his grandfather, who preferred Gothic stories, would tell him stories of his own design.
Lovecraft's childhood home on Angell Street had a large library. This library contained classical literature, scientific works, and early weird fiction.
He was also influenced by the travel literature of John Mandeville and Marco Polo. This led to his discovery of gaps , which prevented Lovecraft from committing suicide during his adolescence.
These travelogues may have also had an influence on how Lovecraft's later works describe their characters and locations.
For example, there is a resemblance between the powers of the Tibetan enchanters in Polo's Travels and the powers unleashed on Sentinel Hill in " The Dunwich Horror ".
One of Lovecraft's most significant literary influences was Edgar Allan Poe, whom he described as his "God of Fiction.
Both authors created distinctive, singular worlds of fantasy and employed archaisms in their writings. This influence can be found in such works as his novella The Shadow over Innsmouth [87] where Lovecraft references Poe's story " The Imp of the Perverse " by name in Chapter 3, and in his poem "Nemesis", where the " He was influenced by Arthur Machen 's [92] carefully constructed tales concerning the survival of ancient evil into modern times in an otherwise realistic world and his beliefs in hidden mysteries which lay behind reality.
Lovecraft was also influenced by authors such as Oswald Spengler and Robert W. Chambers was the writer of The King in Yellow , of whom Lovecraft wrote in a letter to Clark Ashton Smith : "Chambers is like Rupert Hughes and a few other fallen Titans — equipped with the right brains and education but wholly out of the habit of using them.
He declared Blackwood's story The Willows to be the single best piece of weird fiction ever written. Lovecraft's materialist views led him to espouse his philosophical views through his fiction; these philosophical views came to be called cosmicism.
Cosmicism took on a more pessimistic tone with his creation of what is now known as the Cthulhu Mythos; a fictional universe that contains alien deities and horrors.
Dreams had a major role in Lovecraft's literary career. Instead, many of them are directly influenced by dreams and dreamlike phenomena.
In his letters, Lovecraft frequently compared his characters to dreamers. They are described as being as helpless as a real dreamer who is experiencing a nightmare.
His stories also have dreamlike qualities. The Randolph Carter stories deconstruct the division between dreams and reality.
The dreamlands in The Dream-Quest of Unknown Kadath are a shared dreamworld that can be accessed by a sensitive dreamer. Meanwhile, in " The Silver Key ", Lovecraft mentions the concept of "inward dreams," which implies the existence of outward dreams.
Burleson compares this deconstruction to Carl Jung 's argument that dreams are the source of archetypal myths. Lovecraft's way of writing fiction required both a level of realism and dreamlike elements.
Citing Jung, Burleson argues that a writer may create realism by being inspired by dreams. Lovecraft's use of British English owes much to his father's influence.
He described his father as having been so anglophilic that he was commonly presumed to be an Englishman.
According to Lovecraft, his father had been constantly warned to avoid using Americanized words and phrases. This influence stretched beyond Lovecraft's use of language.
His father's anglophilia had also caused Lovecraft to have a deep affection for British culture and the British Empire.
Forbidden, dark, esoterically veiled knowledge is a central theme in many of Lovecraft's works. The awe and dread described by the characters in Lovecraft's weird fiction baffle them; they are stunned as their minds struggle to comprehend the alien things before them.
They can only describe their own sensations in the presence of great horrors, such as the way the beings smell or what horrible sounds they make.
The scientists of Lovecraft's stories usual stumble while trying to describe the terrible shape of the beings - essentially failing at describing what they actually are.
The beings of Lovecraft's mythos often have human servants; Cthulhu , for instance, is worshipped under various names by cults among both the Greenlandic Inuit and voodoo circles of Louisiana , and in many other parts of the world.
These worshippers served a useful narrative purpose for Lovecraft. Many beings of the Mythos were too powerful to be defeated by human opponents, and so horrific that direct knowledge of them meant insanity for the victim.
When dealing with such beings, Lovecraft needed a way to provide exposition and build tension without bringing the story to a premature end.
Human followers gave him a way to reveal information about their "gods" in a diluted form, and also made it possible for his protagonists to win paltry victories.
Lovecraft, like his contemporaries, envisioned "savages" as closer to supernatural knowledge unknown to civilized man. Often in Lovecraft's works, the protagonist is not in control of his own actions or finds it impossible to change course.
Many of his characters would be free from danger if they simply managed to run away; however, this possibility either never arises or is somehow curtailed by some outside force, such as in " The Colour Out of Space " and " The Dreams in the Witch House ".
Often his characters are subject to a compulsive influence from powerful malevolent or indifferent beings. As with the inevitability of one's ancestry, eventually even running away, or death itself, provides no safety The Thing on the Doorstep , " The Outsider ", The Case of Charles Dexter Ward.
In some cases, this doom is manifest in the entirety of humanity, and no escape is possible The Shadow Out of Time. Another recurring theme in Lovecraft's stories is the idea that descendants in a bloodline can never escape the stain of crimes committed by their forebears, at least if the crimes are atrocious enough.
Descendants may be very far removed, both in place and in time and, indeed, in culpability , from the act itself, and yet, they may be haunted by the revenant past, e.
Lovecraft was familiar with the work of the German conservative-revolutionary theorist Oswald Spengler , whose pessimistic thesis of the decadence of the modern West formed a crucial element in Lovecraft's overall anti-modern worldview.
Spenglerian imagery of cyclical decay is present in particular in At the Mountains of Madness. Joshi, in H. Lovecraft: The Decline of the West , places Spengler at the center of his discussion of Lovecraft's political and philosophical ideas.
Lovecraft wrote to Clark Ashton Smith in "It is my belief, and was so long before Spengler put his seal of scholarly proof on it, that our mechanical and industrial age is one of frank decadence.
Lovecraft frequently dealt with the idea of civilization struggling against dark, primitive barbarism. In some stories this struggle is at an individual level; many of his protagonists are cultured, highly educated men who are gradually corrupted by some obscure and feared influence.
In such stories, the curse is often a hereditary one, either because of interbreeding with non-humans e. In other tales, an entire society is threatened by barbarism.
Sometimes the barbarism comes as an external threat, with a civilized race destroyed in war e. Sometimes, an isolated pocket of humanity falls into decadence and atavism of its own accord e.
But most often, such stories involve a civilized culture being gradually undermined by a malevolent underclass influenced by inhuman forces.
Race is the most controversial aspect of Lovecraft's legacy, expressed in many disparaging remarks against the various non-Anglo-Saxon races and cultures in his work.
As he grew older, his original Anglo-Saxon racial worldview softened into a classism or elitism which regarded the superior race to include all those self-ennobled through high culture.
From the start, Lovecraft did not hold all white people in uniform high regard, but rather esteemed the English people and those of English descent.
At the turn of the 20th century, humanity's increased reliance upon science was both opening new worlds and solidifying understanding of ours.
Lovecraft portrays this potential for a growing gap of man's understanding of the universe as a potential for horror, most notably in "The Colour Out of Space", where the inability of science to comprehend a contaminated meteorite leads to horror.
In a letter to James F. Morton in , Lovecraft specifically pointed to Albert Einstein 's theory on relativity as throwing the world into chaos and making the cosmos a jest; in a letter to Woodburn Harris in , he speculated that technological comforts risk the collapse of science.
Indeed, at a time when men viewed science as limitless and powerful, Lovecraft imagined alternative potential and fearful outcomes. In "The Call of Cthulhu", Lovecraft's characters encounter architecture which is "abnormal, non-Euclidean, and loathsomely redolent of spheres and dimensions apart from ours.
Lovecraft's works are ruled by several distinct pantheons of deities actually aliens worshiped as gods by humans who are either indifferent or actively hostile to humanity.
Lovecraft's personal philosophy has been termed "cosmic indifference" and this is expressed in his fiction. For instance, in Lovecraft's At the Mountains of Madness , it is proposed that humankind was actually created as a slave race by the Old Ones, and that life on Earth as we know it evolved from scientific experiments abandoned by the Elder Things.
In " The Silver Key ", the character Randolph Carter loses the ability to dream and seeks solace in religion, specifically Congregationalism , but does not find it and ultimately loses faith.
Lovecraft himself adopted the stance of atheism early in life. In , he wrote in a letter to Robert E. Howard :. All I say is that I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist.
They are the most preposterous and unjustified of all the guesses which can be made about the universe, and I am not enough of a hairsplitter to pretend that I don't regard them as arrant and negligible moonshine.
In theory, I am an agnostic , but pending the appearance of radical evidence I must be classed, practically and provisionally, as an atheist.
In , famed magician and escapist Harry Houdini asked Lovecraft to ghostwrite a treatise exploring the topic of superstition.
Houdini's unexpected death later that year halted the project, but The Cancer of Superstition was partially completed by Lovecraft along with collaborator C.
Eddy Jr. A previously unknown manuscript of the work was discovered in in a collection owned by a magic shop.
The book states "all superstitious beliefs are relics of a common 'prehistoric ignorance' in humans," and goes on to explore various superstitious beliefs in different cultures and times.
Lovecraft drew extensively from his native New England for settings in his fiction. Numerous historical cities and towns are mentioned, and several fictionalised versions of them make frequent appearances in his stories.
The exact locations of these municipalities were subject to change with Lovecraft's shifting literary needs.
Starting with areas that he thought were evocative, Lovecraft redefined and exaggerated them under fictional names. For example, Lovecraft renamed the town of Oakham to Arkham and expanded it to include a nearby landmark.
By , Floyd C. Gale of Galaxy Science Fiction said that "like R. Howard , Lovecraft seemingly goes on forever; the two decades since their death are as nothing.
In any event, they appear more prolific than ever. What with de Camp , Nyberg and Derleth avidly rooting out every scrap of their writings and expanding them into novels, there may never be an end to their posthumous careers.
Early efforts to revise an established literary view of Lovecraft as an author of 'pulp' were resisted by some eminent critics; in , Edmund Wilson sneered: "the only real horror in most of these fictions is the horror of bad taste and bad art.
After Chavchavadze met with him to discuss this, Wilson revealed that he had been reading a copy of Lovecraft's correspondence.
Galaxy Science Fiction reviewer Floyd C. Gale said that "Lovecraft at his best could build a mood of horror unsurpassed; at his worst, he was laughable.
James , H. Wells , Aldous Huxley , J. Tolkien and others as one of the builders of mythicised realities contending against the failing project of literary realism.
Michael Dirda , a reviewer for The Times Literary Supplement , has described Lovecraft as being a "visionary" who is "rightly regarded as second only to Edgar Allan Poe in the annals of American supernatural literature.
In addition, Dirda praises Lovecraft's ability to create an uncanny atmosphere. This atmosphere is created through the feeling of wrongness that pervades the objects, places, and people in Lovecraft's works.
He also comments favorably on Lovecraft's correspondence, and compares him to Horace Walpole. Particular attention is given to his correspondence with August Derleth and Robert E.
The Derleth letters are called "delightful," while the Howard letters are described as being an ideological debate. Overall, Dirda believes that Lovecraft's letters are equal to, or better than, his fictional output.
Los Angeles Review of Books reviewer Nick Mamatas stated that Lovecraft was a particularly difficult author, rather than a bad one.
He described Lovecraft as being "perfectly capable" in the fields of story logic, pacing, innovation, and generating quotable phrases.
However, Lovecraft's difficulty made him ill-suited to the pulps; he was unable to compete with the popular recurring protagonists and damsel-in-distress stories.
In Mamatas' view, Lovecraft's quality is obscured by his difficulty, and his skill is what has allowed his following to outlive the followings of other prominent authors, such as Seabury Quinn and Kenneth Patchen.
In , the Library of America published a volume of Lovecraft's works. The overall critical reception of the volume was mixed. Joshi and Alison Sperling, have said that this confirms H.
Lovecraft's place in the western canon. Sederholm and Jeffrey Andrew Weinstock, attributed the rise of mainstream popular and academic interest in Lovecraft to this volume, along with the Penguin Classics volumes and the Modern Library edition of At the Mountains of Madness.
These volumes led to a proliferation of other volumes containing Lovecraft's works. According to the two authors, these volumes are part of a trend in Lovecraft's popular and academic reception: increased attention by one audience causes the other to also become more interested.
Lovecraft's success is, in part, the result of his success. Lovecraft's style has often been subject to criticism, [92] but scholars such as S.
Joshi have shown that Lovecraft consciously utilized a variety of literary devices to form a unique style of his own — these include prose-poetic rhythm, stream of consciousness, alliteration , and conscious archaism largely in his pre works.
Philosopher Graham Harman , seeing Lovecraft as expressing a unique—though implicit— antireductionist ontology , writes: "No other writer is so perplexed by the gap between objects and the power of language to describe them, or between objects and the qualities they possess.
According to scholar S. Joshi : "There is never an entity in Lovecraft that is not in some fashion material. Several media outlets published articles discussing Lovecraft's legacy as a horror fiction writer, with many outlets in the s discussing and criticizing Lovecraft's racism and homophobia.
Jemisin considers Lovecraft's racial attitudes essential to his literary world: "his biases were the basis of his horror. He does some incredible imagery, it's powerful work, but it's frightening The first World Fantasy Awards were held in Providence in The theme was "The Lovecraft Circle.
Lovecraft was relatively unknown during his lifetime. He did, however, correspond regularly with other contemporary writers such as Clark Ashton Smith and August Derleth, [] who became his good friends, even though he never met them in person.
This group became known as the "Lovecraft Circle," since their writing freely borrowed Lovecraft's motifs, with his encouragement: the mysterious books with disturbing names such as the Necronomicon , the pantheon of ancient alien entities such as Cthulhu and Azathoth, and eldritch places such as the ill-omened New England town of Arkham and its Miskatonic University.
After Lovecraft's death, the Lovecraft Circle carried on. August Derleth in particular added to and expanded on Lovecraft's vision, not without controversy.
While Lovecraft considered his pantheon of alien gods a mere plot device, Derleth created an entire cosmology, complete with a war between the good Elder Gods and the evil Outer Gods , such as Cthulhu and his ilk.
The forces of good were supposed to have won, locking Cthulhu and others beneath the earth, the ocean, and elsewhere. Derleth's Cthulhu Mythos stories went on to associate different gods with the traditional four elements of fire, air, earth and water — an artificial constraint which required rationalizations on Derleth's part as Lovecraft himself never envisioned such a scheme.
Lovecraft's writing, particularly the so-called Cthulhu Mythos, has influenced fiction authors including modern horror and fantasy writers.
Want to Read saving… Takemeout rating book. The Escapist. Personalize Your Feed. Necronauts was not the first appearance of Karli Kino horror in AD as Grant Morrison 's Zenith involved the eponymous hero trying to stop the Lloigorknown as the Many-Angled Ones. Archived from the original on February 23, What with de CampNyberg Dein Song 2019 Finale Derleth avidly rooting out every Zdf Mediathek Druck of their writings and expanding them into novels, there may never be an end to their posthumous careers. The Cthulhu Mythos, a term likely coined by August Derlethencompasses Lovecraft's stories that share a commonality in the revelation of cosmic insignificance, initially realistic settings, and recurring entities Lovecraft texts. Learn how to Lovecraft the prettiest puffs with Rico's guide to punch needle embroidery. He frequently revised work for other authors and did a large Absurd Film of ghostwritingincluding The MoundWinged Deathand The Diary of Alonzo Typer. Lovecraft Yog-Sothoth Video
HP Lovecraft: The True Horror of The Great Old OnesLovecraft You May Also Like Video
LOVECRAFT COUNTRY Episode 8 Breakdown - Ending Explained + Easter Eggs \u0026 Things You Missed Um die Jahrhundertwende befand sich die wissenschaftliche Widerlegung rassistischer Vorstellungen, etwa Serie Mash den Anthropologen Franz Boasnoch Miss Undercover Stream den Anfängen. August - Seine Beschaffenheit wird nie geklärt; vielleicht handelte es sich um ein Gas, aber dann gehorchte es "Gesetzen, die nicht die Gesetze unseres Universums sind [ Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Jahrhundert zurück, findet sich etwa bei VoltaireThomas Jefferson und anderen Autoren, so dass es schwierig ist, sie isoliert Olchi Spiele betrachten. Erst sein Spätwerk, also ab Cthulhus Ruf Lovecraft, zeigt Geschichten, die wirklich typisch Lovecraft sind. Die Ungeheuer ist sehr wechselhaft, zwischendurch sind ein paar Zeilen dicker oder dünner, der Text ist mal rechts, mal links angebracht. Die ersten Lovecraft waren:.
das Talent, nichts wirst du sagen.