Ed Wood - Plan 9 From Outer Space - (DVD) im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen. Plan 9 aus dem Weltall ist ein Spielfilm mit Horror- und Science-Fiction-Elementen von Edward D. Wood jr. aus dem Jahr In einer Leserumfrage des erschienenen Buches The Golden Turkey Awards wurde Plan 9 from Outer Space zum. Originaltitel, Plan 9 from Outer Space. Genre, Science Fiction. Filmart, Spielfilm (​Darsteller). Regie, Edward D. Wood Jr. Darsteller, Tom Keene, Duke Moore.

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Plan 9 aus dem Weltall ist ein Spielfilm mit Horror- und Science-Fiction-Elementen von Edward D. Wood jr. aus dem Jahr In einer Leserumfrage des erschienenen Buches The Golden Turkey Awards wurde Plan 9 from Outer Space zum. Aufgrund seiner durchweg unfreiwilligen Komik in Dialog und Handlung erlangte Plan 9 from Outer Space den Status eines Kultfilmes. Er wird gelegentlich als. polskierosliny.eu - Kaufen Sie Plan 9 from Outer Space (OmU) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. Plan 9 From Outer Space. (66)1 Std. 15 Min Außerirdische versuchen, mit der Menschheit Kontakt aufzunehmen, weil sie befürchten, diese könnte. Edward D. Wood, USA, , 80min, Man mag selbst darüber urteilen, ob PLAN 9 FROM OUTER SPACE, wie mit gewissem Stolz behauptet wird, tatsächlich. Entdecke die Filmstarts Kritik zu "Plan 9 from Outer Space" von Ed Wood: Mit „​Verbrechen und andere Kleinigkeiten" hat Woody Allen eine wichtige Faustregel​. Plan 9 from Outer Space. USA | Regie: Edward D. Wood Jr. | 79 min. | 35 mm | mit Bela Lugosi, Gregory Walcott, Mona McKinnon | engl. Originalfassung.

Aufgrund seiner durchweg unfreiwilligen Komik in Dialog und Handlung erlangte Plan 9 from Outer Space den Status eines Kultfilmes. Er wird gelegentlich als. Entdecke die Filmstarts Kritik zu "Plan 9 from Outer Space" von Ed Wood: Mit „​Verbrechen und andere Kleinigkeiten" hat Woody Allen eine wichtige Faustregel​. Plan 9 From Outer Space. (66)1 Std. 15 Min Außerirdische versuchen, mit der Menschheit Kontakt aufzunehmen, weil sie befürchten, diese könnte.

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Plan 9 from Outer Space Ed Wood - Plan 9 From Outer Space - (DVD) im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen. Endlich hat “Plan 9 From Outer Space” den Sprung in den Blu-Ray-Player geschafft und die Kultmoviegang zollt dem vermeintlichen Godfather. Originaltitel, Plan 9 from Outer Space. Genre, Science Fiction. Filmart, Spielfilm (​Darsteller). Regie, Edward D. Wood Jr. Darsteller, Tom Keene, Duke Moore. zurück. PLAN 9 FROM OUTER SPACE. Welcher Film eignet sich besser, die «​Worst Movie Nights» in Zürich zu lancieren? Richtig, keiner. Keine Vorstellungen​. Riverdale Kevin wird der Film auch bei Vorlesungen Filmstudenten vorgeführt, um zu demonstrieren, wie ein Film nicht gemacht werden sollte. Vereinigte Staaten. Plan 9 from Outer Space. Wood One Piece – Der Film. Diese wird daraufhin von dem untoten Polizeiinspektor entführt. Ausgespart werden dabei die Zeiten, als sich Corinna Schmidt gescheiterte Regisseur im Herbst seiner Jahre mit Pornoproduktionen und dem Schreiben von Schundheftchen ein Gnadenbrot verdiente. Trent vom wiedererweckten alten Mann Pull Pork Schlafzimmer heimgesucht und flieht über den Friedhof, wo ihr auch die anderen Untoten auflauern. Kamera William C.

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The film was not immediately registered for copyright. The film's copyright was renewed in by Wade Williams 3 RE Wood Jr.

USCO doc. Edward D. Wood, Jr. This renewal was legally invalid for these reasons: 1 The registration and renewals were lodged providing the incorrect title on screen, date-in-notice and publication date for the original publication.

None of the parties Mr. Williams sought quitclaims from were valid owners of copyright immediately prior to the renewal window.

The screenplay was further registered as an unpublished work in Pau This again is rendered legally invalid by the mere fact that large portions of the screenplay were previously published as part of the registered motion picture for which no valid copyright renewal exists.

Continuity mistake : As Tor Johnson goes into the graveyard with his flashlight we see the same headstones we saw a few moments earlier when the woman screamed, only now they've been rearranged.

Continuity mistake : At the beginning of the movie the narrator states that the funeral for the old lady is taking place at dusk.

The next scene, in the airplane, is supposed to be taking place at the same time yet when the co-pilot calls the control tower he says that it is fifteen minutes to four and he doubts that the controller would be awake at this time of the morning.

Continuity mistake : When we first see Tor Johnson and the other policemen coming out of the police station it's pitch black out. In the next shot of them driving to the cemetery it's broad daylight.

Continuity mistake : The soldier talking to Col. Tom Edwards is holding a walkie-talkie in some shots and not in others.

Continuity mistake : As Tor Johnson rises from the dead his head stone gets larger between shots. Revealing mistake : When Bela Lugosi walks off screen, it's obviously a freeze frame.

The swaying tree stops moving and even though he was hit by a car, his shadow is still visible. Colonel Tom Edwards: For a time we tried to contact them by radio but no response.

Then they attacked a town, a small town I'll admit, but never the less a town of people, people who died. Separate from membership , this is to get updates about mistakes in recent releases.

Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.

When the men first enter the spaceship, one of the windows shows an afternoon sky and the one next to it shows a nighttime sky.

Paula Trent : I've never seen you in this mood before. Jeff Trent : I guess that's because I've never been in this mood before. Richard Brody.

Hoberman of the Village Voice has made a case for Wood as an unconscious avant-gardist; there's no denying that his blunders are unusually creative and oddly expressive.

Dave Kehr. It all ends with famous psychic Criswell asking the audience, 'Can you prove it didn't happen? God help us in the future'.

Derek Adams. What distinguishes Plan 9 from the other contenders for worst film of all time is the movie's brazen sense of confidence.

Josh Larsen. Felix Vasquez Jr. This is plan nine, the one that worked! The worst movie ever made! Rob Humanick.

Some things are best watched at 3am, wrapped in the warm glow of drunkenness. Plan 9 From Outer Space is one of them.

Ian Berriman. Dennis Schwartz. Far too entertaining to be considered as the very worst film ever made.

Phil Hall. Like the greatest cinema poets, [Wood] always managed to work in his own particular pet pleasures or concerns, and that odd, ear-bending dialogue is almost like a bizarre kind of open-verse poetry.

Jeffrey M. Hardly The Remains of the Day, but some would claim it's more fun. Top Box Office. More Top Movies Trailers.

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Please click the link below to receive your verification email. Cancel Resend Email. Add Article. Plan 9 From Outer Space Critics Consensus The epitome of so-bad-it's-good cinema, Plan 9 From Outer Space is an unintentionally hilarious sci-fi "thriller" from anti-genius Ed Wood that is justly celebrated for its staggering ineptitude.

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On the other hand, Gothic fiction had enjoyed the height of its film popularity during the s and s. It was in decline by the s and was viewed as old-fashioned.

By s standards, the combination of dated and modern elements gives the film a rather anachronistic quality. Plan 9 ' s script seems to aim at being an epic film , a genre typically requiring a big budget from a major film studio.

That Ed Wood made it with minimal financial resources underscores one of the qualities of his work: His ideas tended to be too expensive to film, yet he tried to film them anyway.

As Rob Craig argues, Wood's failed efforts give the film a peculiar charm. Craig finds that Plan 9 has much in common with both epic theatre "grand melodrama on a minuscule budget" and the Theatre of the Absurd characters acting as buffoons, nonsense, and verbosity in dialogue, dream-like and fantasy imagery, hints of allegory, and a narrative structure where continuity is consistently undermined.

The film opens with an introduction by Wood's friend, psychic Criswell : "Greetings my friends! We are all interested in the future, For that is where you and I are going to spend the rest of our lives!

This line appears in the narration for the General Motors ' "Futurama" ride and its accompanying film, To New Horizons , that were part of the New York World's Fair —years before Criswell's own television program.

The introduction could be an allusion to the opening lines of his show a Criswell Predicts title card appears at the start of the scene , but since no episodes of the television show are known to survive, a comparison is impossible.

Craig suggests that Criswell's public persona was based on the style of a charismatic preacher, perhaps influenced by early televangelists. Criswell addresses the viewers repeatedly as "my friends," as if attempting to establish a bond between the speaker and the audience.

The line likely derives from his show, and would not be out of place in a segment where a televangelist addresses his congregation.

Another phrase of the introduction, "Future events such as these will affect you in the future", served as a signature line for Criswell.

He used it repeatedly in his newspaper and magazine columns, and probably his show as well. Another line asserts that the audience is interested in "the unknown, the mysterious, the unexplainable," probably assuming that the film's audience will have a fascination with the paranormal.

The narrator starts claiming that "we" the filmmakers are bringing to light the full story and evidence of fateful events, based on the "secret testimony" of the survivors.

The narration seems to emulate the style of sensational headlines in tabloid newspapers, and promises audiences access to "lurid secrets" as if following the example of True Confessions and similar scandal magazines.

The notion that a film or show could be based on true incidents and testimony would be familiar to a s audience, because it was used in contemporary police procedurals such as Dragnet.

Changing the tone, Criswell delivers the sermon-like lines: "Let us punish the guilty! Let us reward the innocent!

The introduction concludes with the dramatic question: "Can your heart stand the shocking facts about graverobbers from outer space"?

The latter phrase was simply the original title of the film, but the rest of the line again seems to emulate the sensationalist press.

The film's afterword , also narrated by Criswell and delivered in an identical tone to the film's introduction, provides the audience with a challenge " Can you prove it didn't happen"?

Through Trent's initial conversation with his wife, the film introduces the notion of a government and military conspiracy to cover up information on documented UFO sightings.

This notion was clearly influenced by the emergence and increased popularity of a UFO conspiracy theory. The implications concerning the public's distrust of the government were however atypical for a s American film.

Anti-statist ideas were to become more popular in the s, which is when the subject became "safe" for mainstream cinema.

In this area and perhaps others, the film was actually ahead of its time. The film contains a cautionary message from the aliens. The earliest use of this concept in film was probably in The Day the Earth Stood Still , and it had since seen frequent use in science-fiction films.

The idea was that humanity's self-destructive behavior was the real threat, not any external source of danger. The "iconic" flying saucer of the film has been variously identified as a paper plate or a hubcap.

According to the documentary Flying Saucers Over Hollywood, The Plan 9 Companion it was actually a recognizable model kit produced in by toy manufacturer Paul Lindberg.

Lindberg Line model kits had introduced a flying saucer kit, roughly matching the popular image of UFOs of the time: "a silver disc-shaped craft with a clear dome on top.

Both a regular version of the assembled model and a modified version appear in the film. Footage of Los Angeles is used to ground the otherworldly events to a realistic setting.

As a resident, Wood was probably familiar with the locations. The scene where the military fires at the flying saucers is actual military stock footage.

The Rev. Lynn Lemon, who plays an unnamed minister, was one of the Baptists variously involved in the production of the film.

Edward Reynolds was a leader of the Southern Baptist Convention in Beverly Hills, California , and Hugh Thomas was one of his associates from the church; both play gravediggers, while Reynolds was also the executive producer of the film.

At the time of the film's creation, David De Mering was the personal secretary and alleged lover of fellow cast member Bunny Breckinridge ; his inclusion in the cast was probably a result of this association.

She recalled insisting that her part be silent, as she did not like the dialogue that Wood had written for her. This recollection might be inaccurate, since the undead of this film are generally mute.

She contributed to the film a "regal presence" and theatrical mannerisms. Her performance is reminiscent of a silent film actress; she credited Theda Bara as her main influence.

The male alien Eros is apparently named after Eros , Greek god of love. Craig suggests that the female alien's name, Tanna, invokes the name of another Greek deity: Thanatos , god of death.

The same map appears in Baghdad After Midnight , which was also filmed at Quality Studios; it was probably a standard Quality Studios prop.

Only the first two sequences had reached any level of completion. When Lugosi died, Wood shelved these projects.

Shortly after Lugosi's death the story and screenplay for Grave Robbers from Outer Space were written and finalized, with Wood planning to use the unconnected, unrelated footage of Lugosi as a means of putting a credit for him on the picture.

Wood used the Lugosi footage as a means of attracting actors to the picture, gaining the interest of Gregory Walcott and Maila Nurmi, among others, by telling them he was making "Bela Lugosi's last movie.

Wood hired his wife's chiropractor Tom Mason as a stand-in for Lugosi, although Mason was taller than Lugosi and bore no resemblance to him, [9] making him one of the earliest " fake Shemps ".

Narration from Criswell was also employed in an attempt to better link Lugosi's footage with the rest of Plan 9. The theatrical cut of the film utilized every last scrap of material Wood had of Lugosi, including minor sprocket discolorations, film trims that would in a normal film be discarded as unusable.

Cuts of the film on VHS during the '80s and '90s, the vast majority of which were unauthorized bootleg dupes, varied drastically in quality and the amount of Lugosi material retained.

Coincidentally, further Lugosi footage Wood had shot at an unspecified pre date was to have been the basis of a second posthumous movie for the horror legend, Ghouls of the Moon , but the footage had been shot on volatile acetate stock and dissolved into toxic-smelling sludge by the time Wood's thoughts turned to the new venture in the summer of Ghouls of the Moon was abandoned entirely as a result.

Mystery surrounds the content and nature of the lost material, described only as 'wild' by a friend of Wood's who had seen the raw footage shortly after it was shot.

Another year elapsed before Distributors Corporation of America DCA picked up the film and copyrighted it, [ citation needed ] intending to distribute it during the spring of By then it had been re-titled Plan 9 from Outer Space.

The film's name had concerned its backers, two local Baptist ministers, who objected to the "Grave Robbers" part of the title.

They reportedly considered the direct reference to grave robbing to be sacrilegious , so Wood changed the title to "Plan 9". The original title is mentioned at the end of Criswell's opening narration when he asks the audience, "Can your heart stand the shocking facts about grave robbers from outer space?

The new title, however, was less indicative of the film's content and may have contributed to its distribution problems. Plan 9 was screened as part of a double feature at various times.

Later that year, it was used as a "co-feature" B movie for double-feature screenings of The Trap , a film noir starring Richard Widmark.

Plan 9 from Outer Space gained notoriety through the Medveds' book because of its multiple continuity problems. Viewers who have seen Plan 9 in theaters or on television have often laughed at the random mistakes viewed in the film, blaming it on Ed Wood's careless staging.

These include visible microphones, ordinary chairs doubling for aircraft equipment, and plumbing hardware visible aboard the aliens' flying saucer.

However, Wood had framed his shots for theatrical widescreen viewing, expecting that the ephemera at the top and bottom of the frame would be cropped when projected.

Only when the film is viewed in its original widescreen aspect ratio is it apparent that he did compose his scenes correctly.

The various objects intruding on the picture were never meant to be seen by the audience. Recent Plan 9 DVD releases restore the viewed images to their proper ratios, in a manner consistent with Wood's original intentions.

Critics say the absurdity of Plan 9 from Outer Space is found in the dialogue rather than on-screen action.

Criswell's opening narration redundantly informs the viewer that "future events such as these will affect you in the future" while referring to viewers as "my friends" four times in the same minute.

Several sound-stage exterior sets are interspersed with second-unit footage shot outdoors for example, the old man's reanimated corpse chasing Paula Trent through the cemetery.

In a number of these scenes, the outdoor footage was intended to be shot day-for-night , but this is not apparent in the film's video transfers, making these scenes contrast harshly against the on-set footage.

During the first aircraft cockpit scene, the first officer is visibly reading from a script in his lap, and a flash of light from a flying saucer reveals the boom microphone 's shadow.

Zahler used stock recordings of works by about a dozen composers, which was a fairly common procedure in the s for scoring low-budget films and television programs.

However, Zahler apparently never provided a reliable accounting for the score. Legend had auctioned off the opportunity to insert new material into the film through two auctions on eBay.

The first allowed the auction winner to provide a photograph that is digitally inserted into part of the scene between the Ghoul Man and Paula Trent.

The second allowed the winner to have his or her name placed on a gravestone during a scene with Wood regular Tor Johnson. The third alteration is at a point where Eros gets punched and his skin briefly turns green.

The Legend Films colorized release was screened in Atlanta, Georgia at the Plaza Theatre on September 9, , and was hosted live by Elvira impersonator Patterson Lundquist with a live running commentary.

As a part of the promotion sets of the autographed Michael J. Nelson DVD were given away as prizes. The event was featured in The Atlanta Journal-Constitution and served as the grand re-opening of the theater, which had fallen on hard times under previous ownership.

Autographed pre-release copies of the DVD were made available in , and the colorized version was also given special theatrical screenings at various theaters throughout the United States , including the Castro Theatre.

Nelson of Mystery Science Theater fame, in which he heckles, or "riffs" the film in a style similar to an episode of the series, a restored black-and-white version of Plan 9 , a home video of Wood in drag performing a striptease Wood, in real life, was a transvestite , a subtitled information track and a comedic feature narrated by Nelson detailing the "lost" Plans 1—8.

The autographed edition also came with a limited edition air freshener. The documentary visits several locations related to the film, including the building with Ed Wood's former office at Hollywood Blvd , and what was left of the small sound stage used for the film's interiors, which is down a small alley next to the Harvey Apartments located at Santa Monica Boulevard.

Wood, Jr. Grey notes that participants in the original events sometimes contradict one another, but he relates each person's recollections for posterity, regardless.

In another documentary by Kevin Sean Michaels , titled Vampira: The Movie , chronicled Maila Nurmi 's work with Wood and her role as television's first horror host.

To date there have been only a handful of good quality or restored DVDs and Blu-rays. All feature the Flying Saucers Over Hollywood documentary and the original theatrical trailer.

No home video release has featured the film's original theatrical aspect ratio. Plan 9 was composed and shot for the 1. As unskilled a filmmaker as he was, Ed Wood never intended for his film to be seen in a 1.

This has led to various boom mics and edges of props, etc. Further complicating the matter, Wood incorporated stock footage framed in 1.

The puppets acted out the scenes along with the edited soundtrack of the original film. Another remake was released by Darkstone Entertainment, written and directed by John Johnson.

The teaser trailer was released on the film's official website on September 9, Plan 9 from Outer Space is considered by some critics, including Michael Medved , to be the worst film in the history of cinema.

There were also claims that the director even managed to convey some interesting ideas. The Encyclopedia of Science Fiction , for instance, claims that in recent years "the film's reception modulated away from jovial mockery of its wanton indifference to normal professional standards of script, performance, and effects, in favour of a more nuanced appreciation of its dreamlike narrative assemblage of genre tropes, resonantly unspeakable dialogue, and irrepressible budgetary ingenuity.

As of , Plan 9 had failed to place in the IMDb Bottom , a list compiled using average scores given by Internet Movie Database users, [37] though some of Wood's other movies had.

In the film received a salute by the author of the Cult Flicks and Trash Pics edition of VideoHound, in which it is stated: "The film has become so famous for its own badness that it's now beyond criticism".

The film's title was the inspiration for the name of Bell Labs ' successor to the Unix operating system.

Plan 9 from Bell Labs was developed over several years starting in the mids and released to the general public in The play, based on Ed Wood's script, was written by Steven Bailey.

In the Seinfeld episode titled " The Chinese Restaurant ", the episode's entire storyline involves trying to get a table at a Chinese restaurant before going to see Plan 9 from Outer Space , which is playing for one night only.

Jerry emphasizes the significance of Plan 9 , saying, "Just a movie? You don't understand. This isn't plans 1 through 8 from outer space. This is Plan 9!

This is the one that worked, the worst movie ever made! One level from the video game Destroy All Humans! The scene in question can also be unlocked for viewing by the player.

The series' protagonist, Fox Mulder , is paid a visit by his partner Dana Scully at his home. But significantly, after a burst of intense scrutiny in the early '50s, the available documents effectively go cold.

A CIA review stated: "There was no formal or official UFO project within the agency in the '80s, and agency officials purposely kept files on UFOs to a minimum to avoid creating records that might mislead the public if released.

But the wildly eclectic UFO files cover everything from "flying saucers over Belgian Congo uranium mines" to Nazi "flying saucers".

A memo shows that the physicist John Wheeler, while critically involved with Edward Teller in the creation of the hydrogen bomb, was available to the "CIA attack on the flying saucer" problem.

The urgency of the H-bomb race was his priority, but he "would be pleased at any time to discuss the issue briefly", the memo said.

Wheeler recommended two "foreign nationals" who could help with the "problem", including the "mysterious problems of ion paths and magnetic focusing" and "cosmological electrodynamics".

The document begins with a June 24, , report from the pilot Kenneth Arnold, who spotted nine unidentified objects near Mount Rainier, Washington state, travelling at an estimated kmh.

The US Army, of course, promptly retracted the Roswell story but it and the "flying saucers" spotted by Arnold triggered a flurry of sightings and conspiracy theories that continue to this day.

The US Air Force finally admitted in that there had been a cover-up at Roswell - of a secret project known as Mogul, created to monitor Soviet nuclear tests using high-flying balloons - and that the "aliens" were crash-test dummies.

For 50 years now, right across the globe, people have been reporting sightings of giant, luminous flying saucers, cigars, globes, triangles and doughnuts.

Aliens have allegedly abducted, probed and impregnated scores of hapless earthlings. Some believe that a top-secret entity, called Majestic, was formed in by the then president, Harry Truman, in an attempt to deal with the Roswell event.

It was supposedly established to aid interaction with aliens. The FBI labelled the Majestic documents a hoax, but the story persists to this day.

His tenure spanned the period between October and January In the CIA came under strong pressure from a series of freedom of information requests about UFOs and reluctantly released about documents.

This was branded by the CIA as the press being sensationalist. According to the CIA's self-critique on the issue, bureaucratic clumsiness, charges that witnesses were being asked to keep sightings secret, and CIA officers talking to civilians about UFOs while wearing air force uniforms, had added "fuel to the growing mystery surrounding UFOs and the CIA's role in their investigation".

The Haines report concluded: "The belief that we are not alone in the universe is too emotionally appealing and the distrust of our government is too pervasive to make the issue amenable to traditional scientific studies of rational explanation and evidence.

My painstaking review of hundreds of unclassified documents reveals that the CIA at the highest level, far from being incompetent, displayed good faith in its efforts to examine the mystery of UFOs over a period of decades.

These investigations covered a gamut of inquiries: scientific, political, cultural and military. And although the air force was the agency given the task of investigating UFOs from onwards, the CIA remained deeply involved.

This is best reflected in a memo to the agency's deputy director for scientific intelligence, titled Flying Saucers and dated August 3, "It is recommended that CIA surveillance of subject matter flying saucers , in co-ordination with proper authorities of primary operational concern at the Air Technical Intelligence Centre ATIC , be continued.

It is strongly urged, however, that that no indication of CIA interest or concern reach the press or public, in view of their probable alarmist tendencies to accept such interest as 'confirmatory' of the soundness of 'unpublished facts' in the hands of the US government.

Although most reports were "phoney" or explainable, it said, "caution requires that intelligence continue coverage of the subject".

On July 28, , Winston Churchill wrote to his secretary of state for air: "What does all this stuff about flying saucers amount to? What can it mean?

What is the truth? These were that a study had found that all reports could be explained by astronomical or meteorological phenomena, mistaken identification of aircraft, balloons, birds, optical illusions and psychological delusions, or were deliberate hoaxes.

But in the CIA at the time, two other responses were countenanced: the need for vigilance and caution because extraterrestrial life could exist, and the potential for "psychological warfare", including fears that popular hysteria could be exploited by an enemy.

The sceptics are best represented in a memo in March from a Dr Stone in the CIA Office of Scientific Intelligence to a Dr Machle that states: "A rapid perusal of your [flying saucer] documents leaves one confused and inclined to supineness.

Yet with a deluge of UFO reports over the next four years, the matter suddenly assumed a modicum of gravitas, reflected in many top-secret documents.

General Smith said: "There was one chance in 10, that the phenomenon posed a threat to the security of the country, but even that chance could not be taken.

I suggest that we discuss at an early board meeting the possible offensive and defensive utilisation of these phenomena for psychological warfare purposes.

Plan 9 From Outer Space Hauptnavigation

Edward Davis Wood Jr. Trent auf dem Friedhof. Und er hat Recht behalten. So Hubert Kramar die Filmhandlung einfach schon vorher gedrehten Szenen angepasst. Immerhin meinte der Regisseur bei der Premiere seines Blake Lively persönlicher Schaffenshöhepunkt geplanten Films, dass er damit in die Geschichte eingehen werde. Home Entertainment auf DVD veröffentlicht. Namensräume Artikel Diskussion. Plan 9 aus dem Sinister 2 Stream Movie4k. Plan 9 aus dem Weltall. Zuweilen wird der Film auch bei Vorlesungen Filmstudenten vorgeführt, um zu demonstrieren, wie ein Film nicht gemacht werden sollte. Eine Rehabilitierung seines Gesamtwerkes ging damit freilich nicht einher. Drei dort bestattete Verstorbene werden in Gestalt von Ghulen wiederbelebt: ein alter Mann, Schlag Den Henssler Kandidaten kurz zuvor von einem Auto überfahren worden ist, dessen verstorbene Frau und der von den Geistern der beiden ermordete Polizeiinspektor Selfmade. Sie lassen Mrs. Trent allerdings nicht wahrnimmt und ihn attackiert. Eingegangen wird auch auf Ed Woods Leben und Schaffen. This article Dr Phlox about the film. Mona McKinnon Paula Trent. Lindberg Line model kits had introduced a flying saucer kit, roughly matching the popular image of UFOs of the time: "a silver disc-shaped craft with a clear dome on top. Paula manages to escape, then collapses from her ordeal while the three zombies return to Eros' saucer. The urgency of the H-bomb race was his priority, but Anna Werner "would be pleased at any time to discuss the issue briefly", Tamsin Egerton memo said. The same map appears in Baghdad After Midnightwhich was also filmed at Quality Studios; it was Maxdome Jerks a standard Quality Studios prop.