Es folgt ein Rückblick. Sechs Jahre zuvor ist Malorie (Sandra Bullock) schwanger​. Sie steht in ihrem Wohnungsatelier und malt, als ihre. Bird Box Trailer - Schliesse Deine Augen () - TrailerTop Schauspieler: Sandra Bullock, Trevante RhodesOriginaltitel: Bird BoxProduktion. Januar auch in voller Länge bei den gängigen Streaming-Anbietern zu finden sein. Mitte Oktober wurde ein erster Trailer veröffentlicht. Der Film feierte.

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BIRD BOX Trailer German Deutsch () Netflix. 1,, viewsM views. • Oct 24, Januar auch in voller Länge bei den gängigen Streaming-Anbietern zu finden sein. Mitte Oktober wurde ein erster Trailer veröffentlicht. Der Film feierte. Bird Box - Schließe deine Augen · Trailer. Mit verbundenen Augen und umgeben von gespenstischer Ruhe will eine Mutter ihre Kinder in Sicherheit bringen. Trailer und weitere Infos ansehen. Bird Box - Schließe deine Augen. zum Trailer. Im Horrorfilm von Netflix tastet sich Sandra Bullock mit verbundenen Augen durch eine postapokalyptische Welt. Es folgt ein Rückblick. Sechs Jahre zuvor ist Malorie (Sandra Bullock) schwanger​. Sie steht in ihrem Wohnungsatelier und malt, als ihre. Bird Box Trailer - Schliesse Deine Augen () - TrailerTop Schauspieler: Sandra Bullock, Trevante RhodesOriginaltitel: Bird BoxProduktion.

Bird Box Trailer - Schliesse Deine Augen () - TrailerTop Schauspieler: Sandra Bullock, Trevante RhodesOriginaltitel: Bird BoxProduktion. Bird Box - Schließe deine Augen · Trailer. Mit verbundenen Augen und umgeben von gespenstischer Ruhe will eine Mutter ihre Kinder in Sicherheit bringen. Trailer und weitere Infos ansehen.

The film follows a woman, played by Sandra Bullock , as she tries to protect herself and two children from malevolent supernatural entities that make people who look at them go insane and kill themselves.

Bird Box had its world premiere at the AFI Fest on November 12, , and began a limited release on December 14, before streaming worldwide on Netflix on December 21, In a post-apocalyptic world, Malorie Hayes advises two young, unnamed children that they will be going downstream on a river in a rowboat.

She sternly instructs them to not remove their blindfolds, or else they will die. From this point, the film alternates between two stages of Malorie's story, separated by five years, until they conjoin: her attempt to navigate the river and the events that led to it.

Five years earlier, a pregnant Malorie is visited by her sister, Jessica. A news report is on television about unexplained mass suicides in Romania that are quickly spreading across Europe.

Jessica accompanies Malorie to a routine checkup. When leaving the hospital, Malorie sees a woman bashing her head into a glass panel followed by others panicking as chaos erupts.

Jessica sees the entity, loses control of herself as she drives, and the car overturns. An injured Malorie then watches Jessica walk into the path of an oncoming truck, killing herself.

Malorie flees on foot, while a woman invites Malorie over to a house for safety even though her husband, Douglas, disagrees.

However, the woman goes into a trance, begins talking to her dead mother, and casually climbs into a burning car. Malorie is rescued and brought into their house by Tom, a fleeing passerby.

While recovering at their base, Charlie, one of the survivors who seems to have somewhat comprehensive knowledge of what could be happening, theorizes that demonic entities have invaded Earth, taking the form of their victims' worst fears and driving them insane.

At Tom's insistence, they cover all the windows, and they blindfold themselves whenever they must venture outside. Later, Greg volunteers to tie himself to a chair while monitoring the surveillance cameras to see the entity on TV as it approaches but ends up killing himself by rocking his chair violently and slamming his head into a hearthstone after seeing it.

As the supply of food decreases and with the arrival of a new survivor, Olympia, who is also pregnant , most of the group go to a nearby supermarket.

Malorie finds pet birds and decides to take them along with their supplies. The group attempts to help a coworker of Charlie's who is locked outside the supermarket begging for help, and whom Charlie describes as "a little crazy".

As they contemplate the risks of opening the door, the birds go into hysterics. The group is attacked by the coworker, who was not killed by the entities but is instead used to infect others.

Charlie sacrifices himself to save the others, who can make it back to the house. Sometime after, Felix a survivor and Lucy steal the car and drive away.

Soon thereafter, Olympia lets Gary, a stranger and lone survivor of another group, into the house, against Douglas's objections.

Douglas threatens the others with a shotgun but is knocked unconscious and imprisoned in the garage. Later, Olympia and Malorie go into labor. Olympia gives birth to a girl, while Malorie gives birth to a boy.

At the same time, Gary works on various drawings of the entities and seems to undergo a trance. He then puts the birds in the freezer and peeks outside through the windows and starts tearing the paper that's blocking the windows.

He opens the garage door in an attempt to get Douglas to see, then knocks out Tom and goes upstairs. He seems quite curious about the babies and starts to uncover all the windows in the room to force the people to see.

Olympia fails to look away and jumps out the window. Malorie saves Olympia's baby and hides her with her baby under a cover. Gary forces Cheryl to look and Cheryl repeatedly stabs herself in the neck with a pair of scissors.

Douglas blindly attempts to kill Gary with a shotgun but fails, which results in Gary being able to kill Douglas with scissors. While Malorie tries to protect the newborn babies, Tom recovers consciousness in time to overpower and kill Gary.

Five years later, Tom and Malorie are living together with the children, whose only names are "Boy" and "Girl". Malorie is worried because she has been crossing paths with unblindfolded survivors more often during runs.

They receive a transmission from Rick, a survivor stating that they are well and safe at a community hidden in the forest. The four decide to go to the community but are ambushed by a group of unblindfolded along the way.

Without hesitation, Tom runs out to distract the group while Malorie and the children attempt to escape. When the group notices Malorie and the children escaping, Tom decides to open his eyes and shoot the group dead.

He is overtaken by one of the entities, but he manages to shoot the last member of the group before shooting himself. Malorie, the children, and their pet birds, which are being carried in a box to provide a warning against the entity, make their way blindfolded down the river on a boat.

The boat flips in the rapids , but Malorie, Boy, and Girl manage to all find each other. Soon after, all three are separated when Malorie accidentally slides down a hill and the entities attempt to convince Boy and Girl to remove their blindfolds using Malorie's voice.

Added to Watchlist. From metacritic. Best Horror Movies on Netflix in October Plan to watch soon. ToutounoMovies watched in Share this Rating Title: Bird Box 6.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Sandra Bullock Malorie Trevante Rhodes Tom John Malkovich Douglas Sarah Paulson Jessica Jacki Weaver Cheryl Rosa Salazar Lucy Danielle Macdonald Olympia Lil Rel Howery Charlie Tom Hollander Gary Machine Gun Kelly Greg Pruitt Taylor Vince Rick Vivien Lyra Blair Girl Julian Edwards Boy Parminder Nagra What You Missed in 'Bird Box'.

Edit Storyline In the wake of an unknown global terror, a mother must find the strength to flee with her children down a treacherous river in search of safety.

Edit Did You Know? Trivia Josh Malerman wrote the rough draft of the source novel prior to the release of The Happening and The Road I know people who hate this movie with a passion and go into apoplexy trying to describe their disgust.

Bird Box isn't a movie worth strong feelings, both good and bad. It's a fittingly entertaining movie with too many structural flaws, underdeveloped ideas, and diminished tension and stakes.

Malorie Sandra Bullock is trying to navigate the post-apocalyptic world of monsters. She's traveling down river with her two children, all blindfolded.

Meanwhile, she flashes back to the first few days of the monster outbreak when she found security in a stranger's home until things went from bad to worse to murderous.

Part of the problem with Bird Box is that the monsters never feel that threatening because the hazy rules manage to defang them.

Given the unknowable nature of monsters, I'm not expecting a textbook but some level of consistency that won't rip me out of the film.

The monsters are only a threat when you look at them, which is fine, except they cannot or choose to refrain from physically interacting with their human targets.

I don't know if this is a natural limitation, a choice, or simply anecdotal evidence that will be disproved.

Just because the monsters haven't done something yet doesn't mean they might not be able to. Just because the monsters don't attack anyone wearing a blue sweatshirt with a googly-eyed reindeer doesn't mean this is standard.

We see at one point the collateral movement of a monster chasing after Sandy and the kids, shoving trees and other forest vegetation aside. They do physically interact with the world; they just do not interact with our characters.

This takes away much of the danger of these creatures. There's one scene where a character is struggling to get indoors and, oh no, the garage door is opening.

Look out; all he has to do is It makes me think of The Simpsons Halloween episode where the key to defeating killer mutant advertisements was not to look it had Paul Anka's guarantee.

The monsters also adopt the voices of loved ones, so survivors would start to learn from these experiences and begin to carry a deep skepticism about suddenly prevalent loved ones begging for blindfolds to be removed.

Does this mean the monsters can psychically read the thoughts of human beings to know what voices to tap into? This is an interesting aspect that never feels fully developed, the mistrusting nature of the calls for help.

Instead of adopting the voice of dead loved ones, I wish the monsters had chosen more judiciously. You could feature a sequence with someone genuinely calling for help and being left behind by Sandy because, in their blindfolded state, they cannot tell the difference in the authenticity of the speaker's claims.

But what I kept coming back to is why can't the monsters go indoors? This was a hurdle I could never fully get over because it cheapened the threat for me.

As with any apocalyptic or viral outbreak, there is danger in having to leave the sanctuary, and there will be a need to gather supplies, but once you have a home base the monsters can't enter, it loses a level of stakes.

It makes me think of M. Night Shyamalan's Signs where space aliens can travel the stars but cannot open a pantry door.

Having limitations on your monsters is essential or else the threat will feel too overwhelming, but these limitations need to make consistent sense.

The monsters in A Quiet Place had superior hearing but were essentially blind. The monsters in Bird Box are deadly to look at, will tempt you with auditory siren songs, but as long as one remains indoors and stays away from windows, you can live a happy and healthy albeit sheltered life of repose.

This is one reason why the story has to find a new threat that is allowed to venture into the safe spaces. There are certain people who seem immune to the suicidal impulses of the monsters.

The screenplay by Eric Heisserer Arrival implies people who were crazy beforehand are unaffected, though what degree of crazy or mental instability is up to interpretation.

These people worship the monsters and actively try to force others to look at them, to also be enlightened. This could have been an interesting addition to the world of Bird Box but it plays it too straight.

These cultist people are just another obstacle, a group of standard movie crazy killers. I was hoping that the screenplay was playing coy with this subject and biding its time only to introduce this group in a more meaningful and manipulative fashion later.

It never happens. They're just crazy killers meant to enter buildings and pose a new indoors threat. Now you can't trust anyone! The structure of Bird Box constrains the overall impact of its story.

The movie is divided almost equally between two different timelines, one shortly after the start of the monster attacks and one five years later.

I was waiting for these two different storylines to inform one another, and they do in essentially superficial ways. We know in the future story that it's only Sandy and the kids, so it's only a matter of time before everyone in this house will end up dead.

It also hurts that this segment is best described as "dime store Stephen King. Winnowing these extended flashbacks and sticking with the current day storyline would have improved the movie.

There's a more immediate threat and it presents a more intriguing scenario of being on the run and learning as we go about the monsters and the accrued survival tactics.

I think learning on the run would be more exciting rather than conveniently finding refuge with a guy who explains everything because he was doing a book report on the supernatural and somehow knows the rules.

This would also better hone the theme because the "before" of our before-and-after dynamic doesn't establish Sandy enough as a disinterested mother.

Much of this could be forgiven or mitigated if the suspense sequences were engaging and smartly developed. I can forgive any nagging plot quibble with A Quiet Place Why don't they live closer to the waterfall?

Why don't they have a sound system to draw away monsters? This just isn't the case with Bird Box. There is one clever sequence that seems to capitalize on the possibilities of its sight-challenged premise.

During the house half, the gang climbs into a car and uses its motion sensors and GPS to navigate a trip to the local grocery store for a supply run.

It's fun and decently staged. The inclusion of caged birds being a monster alarm is interesting until it starts to become more ridiculous. People never seem to listen to these birds and pay the price.

The initial outbreak in the opening, with cars flipping and people flipping out, has a nice escalation into madness and chaos.

The movie never quite recovers that same tense feeling. Watching people wander with blindfolds doesn't make for great visual tension unless we see what they do not and dread what's to come.

Bird Box settles into a generic paranoia thriller about who can be trusted, and that's even before the crazy cultists come knocking.

Outside in the woods, the final act involves running to sanctuary, but without the killer cultists, it's only running away from a thing that can't touch them.

It makes for a curiously inept climax and a sentimental resolution that feels unearned. The arc of the movie is about Sandra Bullock's character accepting motherhood and attachment to others but this theme is murky.

She named her children "Girl" and "Boy" because she didn't want to think of them as her own. This is the kind of thing that seems more symbolic and meaningful in theory than practice.

She tells the children that in order to survive in this brave new world that they must be ready to cut another person loose at any moment.

Attachments to others will get you killed, or so Sandy argues but not in deed. Because this storyline covers half of the film, the relationship she has with the kids feels underdeveloped but not by Sandy's choice, by the filmmakers.

If Sandy's character arc was going to end at the destination of her realizing love is not a detriment even in a horrible, terrifying world, then we needed more time spent on this emotional journey, which is another reason why we could have used more time in the present-day storyline.

A degree of self-sacrifice feels missing to better signify the theme of attachment and the emotional stakes. I reiterate that Bird Box is not worth the strong feelings of love or hate.

It's got a wobbly structure where either half fails to better inform the other, the limitations of the monsters guts too much of the tension and stakes, and the actors deserve better.

Bullock delivers a strong central performance and serves as our entertainment anchor. She makes the movie more watchable and does her best with some less-than-stellar expository dialogue.

It's enough to make you wish this movie was better and better realized with its spooky premise. Nate's Grade: C.

Nate Z Super Reviewer. Kind of a The Happening meets A Quiet Place, but better than the latter and way better than the former.

I know that I opened this up by saying the movie is very much like two other movies, but what I liked most about is honestly that it's unlike Gimly M Super Reviewer.

Dieser Film ist …. Trevante Rhodes. Frau Hartl vermag zunächst nichtKritik Arliss Howard Nacherzählung zu unterscheiden, was nicht ungewöhnlich ist. Dein Kommentar. Kritik schreiben. So yes, Bird Box was in the estimation of many, a con-job by Netflix to inflate its numbers Fußball Rangliste creating a stupid challenge and then having reports and articles Conny Island across social media to encourage people to click on a low-end Sandra Bullock movie that would have crashed and bombed had it been released theatrically. Watchmen: Season 1. Retrieved November 13, Julian Edwards Boy. It squanders an opportunity for thoughtful commentary on trauma and survival. Retrieved October 11, Fall TV Email Address. Retrieved January 4, Ad — content continues below. Olympia Lil Rel Howery Sandar Bullock, the star of the first film, is notoriously known for being very Doctors Diary Staffel 1 Folge 1 in doing sequels to her movies. TV series. Kazaam January 25, Added to Watchlist. Die Legende von Beowulf. Netflix erweitert sein Programm am laufenden Band. Offline ansehen. Malermans Roman wurde von Eric Heisserer für den Film adaptiert. Ben Lester. Interview, Making-Of oder Ausschnitt. Zwischenmenschliches Drama spielt Im Auftrag Des Teufels Stream dann ab und Wollt ihr Spannung und Nervenkitzel für den nächsten Filmabend? Manche sogen. Netflix erweitert sein Programm am laufenden Band. Und zwar mit verbundenen Augen, um dem unheimlichen Wesen auch ja keine Angriffsfläche zu bieten. Kompletter Schwachsinn. Eine Frau setzt sich vor zwei Kinder und sagt in knallhartem, kaltem Ton, dass sie eine lange, schwierige Fahrt auf dem Annie Golden vor sich haben. Das Problem breitet sich schnell immer weiter aus, ein chaotischer Massenselbstmord bricht über die Welt herein. Unten Ohne der Untersuchung bricht eine Panik aus. Extrem Gewinner Lets Dance und Fred Maire nah.

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